04/18/14

Lost Shakespeare play found?


BBCCardenio. Written by William Shakespeare. Based on an episode in Miguel Cervantes’ novel, Don Quixote. The novel was translated from Spanish into English in 1612.

The play was known once, but lost. Performed by the King’s Men in 1613, the same year Shakespeare penned Henry VIII, or All is True and The Two Noble Kinsmen. Performed before June 29th, the day the Globe theatre burned down during a performance of Henry VIII.

Cardenio was entered in the Stationer’s Register in 1653 as a collaboration by playwrights Fletcher and Shakespeare. The Guardian explains:

In 1653 the leading English publisher of plays and poetry, Humphrey Moseley, registered his copyright in a list of 42 plays. Somewhere mid-list is “The History of Cardenio, by Mr Fletcher & Shakespeare”. Shakespeare had yet to become English literature’s biggest cash cow, and Moseley never published that play (or many others that he registered). Moseley’s title-phrase, The History of Cardenio, appears verbatim in the first English translation of Part One of Don Quixote, published in 1612. Since the phrase appears nowhere else in English, the play that Moseley registered must, logically speaking, have dramatised the Cardenio episodes from Cervantes’s novel. It’s a plausible attribution to Fletcher and Shakespeare.

But since then, it has been lost. Sort of. Contenders have surfaced, of course. Lost Shakespeare manuscripts have been a sort of cottage industry since the early 18th century.

The Second Maiden’s Tragedy, a 1611 play, was identified as being by Shakespeare by a handwriting expert in 1990, but it’s a contested attribution. Most scholars say it was written by Thomas Middleton. Some argue that Shakespeare, if he were involved, was a minor collaborator. Most just shrug it off.

Another play – Double Falsehood – was allegedly an early 18th-century rewrite of Shakespeare’s original by lawyer and playwright, Lewis Theobald (a lot of his plays got that treatment in the 18th century). Theobald claimed to have three originals in his possession when he “refined” the play for contemporary audience.

From The Guardian again:

In December 1727 the Drury Lane theatre performed a play based on the Cardenio episodes in Don Quixote, and based in particular on the 1612 translation. It was called Double Falshood, or The Distrest Lovers, and the edition printed that month declared it was “written originally by W Shakespeare; and now revised and adapted to the stage by Mr Theobald”. Lewis Theobald was a minor playwright, minor poet and the world’s first Shakespeare scholar.

Again, highly disputed, and considered by some as a fake written to ride on the coattails of the growing Bardolatry of the age. Here’s a part of the story:

…Theobald’s reputation was not pristine. In 1716 he had been accused of plagiarism by a watchmaker named Henry Meysteyer, who had given Theobald an early draft of a play, looking for advice. After four months of work rewriting the play, Theobald considered it to be entirely his own work. The practice of adapting old plays and claiming sole credit for the result was not unusual at the time, though other playwrights sensibly chose dead dramatists to steal from.
Theobald’s adaptation of the lost Shakespeare play, which he called Double Falsehood, premiered at the Theatre Royal, Drury Lane, on December 13, 1727. To ensure its success, Theobald persuaded the age’s great actor, Barton Booth, then in failing health, to come out of retirement to play the lead. It was Booth’s last role before his health was permanently ruined, and Theobald was blamed for hastening Booth’s death. But it worked: the play was a huge success.
Theobald published his adaptation the next year, with a preface in which he explained the provenance of one of his three manuscripts:

one of the Manuscript Copies, which I have, is of above Sixty Years Standing, in the Handwriting of Mr. Downes, the famous Old Prompter; and, as I am credibly inform’d, was early in the Possession of the celebrated Mr. Betterton, and by Him design’d to have been usher’d into the World… There is a Tradition (which I have from the Noble Person, who supply’d me with One of my Copies) that this Play was given by our Author, as a Present of Value, to a Natural Daughter of his, for whose Sake he wrote it, in the Time of his Retirement from the Stage.

For the past two centuries Theobald’s play, along with the provenance he gave it, has largely been considered a hoax. Was it a coincidence, then, that Theobald picked the same plot as a lost Shakespeare play for a clever attempt at forgery, or could it be possible that a manuscript of Cardenio lies behind Double Falsehood?…
Theobald’s three Cardenio manuscripts disappeared. They were rumored to be held by the Covent Garden Theatre—perhaps purchased for the revival of Double Falsehood by David Garrick in 1770—but that theater burned down in 1808. Or they might have been purchased from Theobald’s estate sale by the critic William Warburton, who left a pile of manuscripts sitting on his kitchen table. His cook assumed they were garbage and used the paper to line pie tins. But Theobald’s adaptation went through three editions in quick order, and many copies of Double Falsehood have survived to the present day.

Now there are claims another manuscript has been found, a printed version of the original, hidden among the books in a family heirloom. As the story says:

The team of experts from the auction house Christie’s, have confirmed this morning that a 16th century book found recently in the personnal collection of a recently deceased English Lord, is indeed an authentic printed version of William Shakespeare’s lost play, The History of Cardenio.

The book was discovered last year by employees proceeding to a successorale inventory, after the death of the Sir Humphrey McElroy, a rich baron and antiques collector from Brighton. It was at first treated as a possible fake, but all the analysis that were realized since have suggested otherwise. The authenticity of both the ink and the paper have now been confirmed, and it seems it is indeed, a late 16th print.

Stranger things have happened. But is it likely? So far I can’t find another confirmation that the story is factual, or indeed any more substantive information about the manuscript.

More to follow as the story gets more play. So to speak…

04/18/14

Spoon River: Smith, Goodman and Masters



VERY well, you liberals,
And navigators into realms intellectual,
You sailors through heights imaginative,
Blown about by erratic currents, tumbling into air pockets,
You Margaret Fuller Slacks, Petits,
And Tennessee Claflin Shopes—
You found with all your boasted wisdom
How hard at the last it is
To keep the soul from splitting into cellular atoms.
While we, seekers of earth’s treasures,
Getters and hoarders of gold,
Are self-contained, compact, harmonized,
Even to the end.
Edgar Lee Masters: Thomas Rhodes; from Spoon River Anthology, 1915

What is is about poetry or musical lyrics that moves us so differently than just prose? So thoroughly? So deeply it can make grown men cry?

Why can we remember lyrics of songs we heard decades ago, poems we learned in grade school, yet can’t recall what we had for breakfast or what was on the shopping list? Lyrics, perhaps, are different from poetry in that they are interwoven with the rhythm, melody and harmonies of the song, which itself carves a rut in our memories. But both stick with us better than mere words.

Why can a song send shivers up our spine, raise the hair on our arms, sweep us away with its emotions, helpless like driftwood on a river? Why can it dredge up those emotions years later, outside any context?

(Listening to Trio Los Panchos playing La Malagueña Salerosa today brought goosebumps to my arms… but almost any version of that song does that. Perhaps it comes from hearing it played live, by buskers, along the malecon in a warm, romantic February evening in Mexico… and today, years later, it has the power to transport me there.)*

In The World in Six Songs, Daniel Levitin writes,

One characteristic of poetry and lyrics, compared to ordinary speech and writing, is compression of meaning. meaning tends to be densely packed, conveyed in fewer words than we would normally use in conversation or prose. The compression of meaning invites us to interpret, to be participants in the unfolding of the story. The best poetry – the best art in any medium – is ambiguous. Ambiguity begets participation. poetry slows us down from the way we normally use language; we read and hear poetry and stop thinking about the language the way we normally do; we slow down in order to contemplate all the different reverberations of meaning it contains.

Which strikes me as a singularly catching insight. I thought about those words recently while transcribing some Bob Dylan songs for our local ukulele group. Dylan is a master of ambiguity. Which makes his songs so much more memorable, I suppose. How odd, how amazing, I thought, that I can still remember the words and chords to his songs I learned to play 30 or 40 years ago.

And they are songs that have no particularly deep emotional contact for me – not necessarily songs I listened to with a lover, shared with a friend or simply found emotionally fulfilling. But I can simply pick up a uke and strum out Memphis Blues Again, It Ain’t Me, If Not for You, I Shall Be Released and The Ballad of Frankie Lee and Judas Priest or a dozen others without giving much thought to words or music: they just spill out like old, familiar tunes, even though I haven’t likely played them for years.

It’s like the music is a meme; an intellectual virus that binds itself to your DNA. Like herpes; one it takes hold it never leaves and unfolds itself when called out. How and why does it do that? It’s the subject of many books, including Levitin’s.

I HAD fiddled all at the county fair.
But driving home “Butch” Weldy and Jack McGuire,
Who were roaring full, made me fiddle and fiddle
To the song of Susie Skinner, while whipping the horses
Till they ran away.
Blind as I was, I tried to get out
As the carriage fell in the ditch,
And was caught in the wheels and killed.
There’s a blind man here with a brow
As big and white as a cloud.
And all we fiddlers, from highest to lowest,
Writers of music and tellers of stories,
Sit at his feet,
And hear him sing of the fall of Troy.
Edgar Lee Masters: Blind Jack; from Spoon River Anthology, 1915

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04/17/14

Tudor politics: Elizabeth’s struggle


Elizabeth bookDavid Starkey’s book, Elizabeth: the Struggle for the Throne, is the best book I’ve read on the period of Elizabeth’s life between the death of Henry VIII and her own coronation. It gives a clear, richly detailled picture of the machinations, the politics and the society that she lived in during the 25 years before she became monarch – 1533 to 1558.

And what a life it was. In and out of favour, imprisoned, in fear of her life, threatened, cajoled, living on her wits, political puppet and Machiavellian instigator… Elizabeth emerges as a canny, quick and lively actor in these events.

I have a passion for the history of the Tudors, in particular Henry VIII and Elizabeth. I still enjoy watching the 1971 BBC dramatization of the Six Wives of Henry VIII

Thanks to my brother-in-law’s former position in the National Archives, I was able to see and handle several historical items and documents from both monarchs, on my visit to England in 2011, including a famous letter from the Princess Elizabeth to her sister and Queen, Mary, over Elizabeth’s alleged role in the Wyatt revolt. She protests her loyalty and allegiance to Mary at a time when a charge of treason would have meant her execution.

(A photograph of that letter (not mine) appears below, right; my own photographs, taken in low light because a flash was not allowed, are generally not as good for reproduction, but are steeped in nostalgia anyway.)

It’s an indescribable thrill to hold such a piece of history in your hands, knowing its history, its age, and its author.*

Elizabeth's letter to MaryAlthough I’ve read a considerable number of books on both monarchs and their times, I have read few on the interim period – the reigns of Edward VI, Queen Jane and Queen Mary. This book captures that period nicely. It’s a rich time for anyone interested in both history and politics because it was at a critical time in England’s development, socially, culturally, politically and religiously.

It’s exciting stuff, full of plotting, mystery, uprisings, secret meetings, international diplomacy and war. And the young Elizabeth navigated these rocky waters deftly. Most of the time. She was the child of both Henry and Anne Boleyn, and both were strong, intelligent and passionate people; traits that emerge in Elizabeth at an early age.

The book also has some darker moments; suggestions of sexual abuse at the hands of her stepfather, Thomas Seymour,  when he was her guardian, but that get played here as more inappropriate and saucy than actual consummation.

In the early years, her sister Mary is almost a cast-out: her mother rejected, her religion denigrated, and she forced to serve as maid to the baby Elizabeth (while Anne was queen). That changed as her father’s marriages changed, and when Edward took the throne she was living alone (albeit in state), but one suspects it was a humiliation she never forgot.

The real story, the real excitement, gets into high gear when Edward VI dies, and Mary is crowned. Initially popular, “Bloody Mary’s” conservative Catholicism and intolerance towards any form of Protestantism, as well as a series of poor decisions and polices, turned the populace against her. And the Protestant Elizabeth looms as a greater threat as Mary ages and proves unable to bear an heir. It’s gripping stuff.

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04/17/14

What do we know about Bell’s Palsy?


Bell's PalsyBell’s Palsy is one of those rare ailments, and one that annoys more than threatens, but can be difficult and socially awkward for sufferers. It’s also one that still baffles researchers as to its cause. And also for an effective treatment.

According to facialpalsy.org,

The name ‘Bell’s palsy’ comes from 19th-century Scottish anatomist and surgeon Sir Charles Bell, who discovered that severing the seventh cranial (or facial) nerve causes facial paralysis.

It has no vaccine, no known method for prevention, and the treatment is still uncertain.

Wikipedia tells us:

Bell’s palsy is a form of facial paralysis resulting from a dysfunction of the cranial nerve VII (the facial nerve) causing an inability to control facial muscles on the affected side… Bell’s palsy is the most common acute mononeuropathy (disease involving only one nerve) and is the most common cause of acute facial nerve paralysis (>80%)… The hallmark of this condition is a rapid onset of partial or complete paralysis that often occurs overnight.

It also says:

It is thought that an inflammatory condition leads to swelling of the facial nerve. The nerve travels through the skull in a narrow bone canal beneath the ear. Nerve swelling and compression in the narrow bone canal are thought to lead to nerve inhibition, damage or death…
Some viruses are thought to establish a persistent (or latent) infection without symptoms… Reactivation of an existing (dormant) viral infection has been suggested as a cause of acute Bell’s palsy. Studies suggest that this new activation could be preceded by trauma, environmental factors, and metabolic or emotional disorders, thus suggesting that a host of different conditions may trigger reactivation.

Which, in essence, doesn’t tell us a lot about the actual cause or why it recurs; mostly it remains guesswork. Bell’s Palsy affects about 20 people per 100,000 population, and the incidence increases with age and with certain medical conditions.

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04/9/14

Oooh, shiny….


Godin MultiukeReligious texts are full of admonitions about avoiding temptation. The Lord’s Prayer tells God to “lead us not into temptation.” Fat lot of good that does. We can find the way ourselves, thank you.

Not only do we lead ourselves there, we go willingly and eagerly. Pushing and shoving aside those who stand in our way to reach temptation. Ever see the crowds in the mall on Boxing Day?

Psychological texts, magazines and sites are full of secular advice on resisting temptation, too. It’s our brain’s “executive control” functions that  fail use when we succumb to our impulses. And fail they do, with disconcerting frequency.

Religious temptation, Wikipedia tells us, is the inclination to sin. Well, I can’t get into the whole notion of sin, relativism cultural and social bias, and situational ethics here. Maybe another post. For now, I’ll leave it to the theologians to wrestle that particular set of demons into the mud.

I’m talking about the average daily, run-of-the-mill temptation, the sort  that makes you pull out your wallet when you come across an unexpected sale on power tools, when you went to the store for a bag of potting soil. The sort that makes you go to the grocery store and come back with mangoes, exotic cheese, avocado and ice cream instead of just the milk you went to get. The sort that makes you go onto Amazon’s website just to look up something and end up ordering a half-dozen books and that first West Coast Pop Art Experimental Band CD you’ve always wanted in your collection (okay, okay, but I had the other two already so I had to complete the set).

Temptation, Wikipedia says,

…is the desire to perform an action that one may enjoy immediately or in the short term but will probably later regret for various reasons: legal, social, psychological (including feeling guilt), health-related, economic, etc… actions which indicate a lack of self control.

Godin MultiukeIt’s tough, you know. We live in a rich, consumer-oriented society in which we are bombarded daily by thousands of ads all screaming “Buy me!” Promising a better, richer, more fulfilling life if we just give in and pull out our wallets. We are born and bred to be consumers.

We live in a world full of music stores replete with ukuleles just hanging there on the walls singing like sirens when you walk by. Hear that? That’s the voice of a solid-koa Koaloha sweetly calling my name… and that dulcet voice? That’s a Martin… Oooh, what’s that shiny one?

And then when we get the credit card bill, we start regretting it. But how to resist? Should we even try? Are we doomed to fail? But… is life to short to live without another ukulele?

In The Picture of Dorian Gray, Oscar Wilde has his character, Lord Henry, say,

The only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it has forbidden to itself, with desire for what its monstrous laws have made monstrous and unlawful. It has been said that the great events of the world take place in the brain. It is in the brain, and the brain only, that the great sins of the world take place also.

And when you do, inevitably, yield, you are then beset with those nagging questions, the voice of your conscience nagging, scolding. What was I thinking? Why did I do it? Why did I buy it? What will she think?

She being the spouse, of course (at least in my case). The one who sits in judgement on the new toy, the new pet, car, TV set, ukulele, motorcycle, personal watercraft, riding lawn mower, that bag of specialty cheeses… did I mention ukulele? Did I mention it was shiny?

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04/8/14

The dangerous idiocy of the anti-vax movement


Measles outbreakMeasles is on the rise in Canada. There have already been many cases in 2014: in PEI, London, Ottawa, southern Alberta, Regina, Qu’Apelle, Calgary, Fraser Valley (320 cases), Hamilton, Halton, Edmonton, Winnipeg, Waterloo, Nanaimo and other locations. Eleven cases in Ontario this year alone. Nine in Alberta.

That ancient, deadly foe we recently believed we had conquered, is coming back. And it’s going to kill children again, this time with the complicity of their parents.

Fifty years ago, science found the cure and made a vaccine for it. In 2000, the United States optimistically declared ongoing measles transmission had been eliminated. But it’s come back.

So have mumps and whooping cough – both easily and safely prevent by vaccinations. Both are deadly threats to children again.

Who’s to blame? And why is this happening? Why are people putting children at such risk?

It’s because of the anti-vaccination movement, a cult of pseudoscience, anti-medicine sentiments, gullibility, fear, superstition and mostly quackery promoted by witless and devious celebrities and greedy marketers, then spread on the internet to people who jump on every passing bandwagon. Parents who get their medical advice from unreliable online sources – mostly lies, rumour, gossip and unfounded allegation, like all conspiracy theories – or from quacks, not doctors.*

Health Link Alberta tells us how easily measles can spread:

Close contact with an infected person is not necessary to catch measles.
It is an extremely contagious airborne disease that can spread by coughing and sneezing, and through air currents.
Although there is no specific treatment or cure for measles, it can be prevented through immunization.
The measles, mumps and rubella (MMR) vaccine is part of the routine childhood immunization program in Alberta.
Children should receive their first MMR dose at 12 months and the second between the ages of four and six years. Both doses are required to be fully protected.

The anti-vaxxers are creating a public health disaster. Rather ironically, North American parents have that in common with the Taliban:

In Pakistan, polio remains an epidemic because the Taliban has banned aid workers from vaccinating children. They say they fear that vaccination efforts are simply a ruse meant to disguise espionage. Health workers attempting to distribute vaccines there have been attacked and killed. A total of 101 polio cases have been reported in the country as of mid-November, and another 240,000 children have not been vaccinated.

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