How shall we be governed? Philosophers have debated that issue since Plato and the question is more important today than ever, given the rise of right-wing extremism everywhere, especially in liberal democracies where there is an ongoing, concerted effort by several current political parties and non-government organizations (NGOs) like the IDU to subvert or overthrow Western democracies and replace them with authoritarian dictatorships; American Repugnicans and … (more–>)
I‘ve hesitated to write this review because, of all the films in the Godzilla franchise, I dislike the campy-cute, family-friendly Minilla, the so-called “son” of Godzilla. Minilla appears in three films: Son of Godzilla, Destroy All Monsters, and Godzilla: Finals Wars, but the most saccharine of them is this one: Son of Godzilla. And it is, by my standards anyway, one of the worst of the … (more–>)
In 1966, the original director of the Godzilla series, Ishiro Honda, left to do other projects and left the next film — Ebirah, Horror of the Deep, aka Godzilla vs the Sea Monster — in the hands of director Jun Fukuda. At the same time, composer Akira Ifukube was replaced by Masuro Sato, and special effects director Eiji Tsuburaya was replaced by Sadamasa Arikawa. Names, of … (more–>)
Can a movie featuring aliens, dinosaurs, spaceships, one of the main actors from Star Wars, and a giant asteroid about to crash into the planet be bad? Sadly, yes. The movie 65 manages to take what could a been another Godzilla or Kong: Skull Island. instead, it’s a watered-down Jurassic Park. Severely diluted. I love scifi and fantasy. I’ve been reading it since the mid-1950s when … (more–>)
For many, many years, I owned and maintained my own, private zoo.* I fed and watered the creatures in it, occasionally neglected them, moved them from place to place, and when their population threatened to explode, I took out a large quantity and killed them. That’s what, in a nutshell, every baker does with their sourdough starter. A sourdough starter is a SCOBY: a Symbiotic Culture … (more–>)
I am going to assume that you, dear reader, already know who Marcus Aurelius Antonius was. I have respect for both the intelligence and education of my readers, enough to feel I can avoid making pedantic explanations and reiterating his biography that is more fluently available on dozens or hundreds of better, more encyclopedic websites. No, this is not a treatise on him, or even on … (more–>)
Godzilla films had already begun to move into the cultural camp mode from the second film, Godzilla Raids Again, and away from the monster-threat-to-Earth and Atomic-bomb-symbol of the first film. It was firmly planted into it by the time 1965’s Invasion of Astro Monster came along (aka Great Monster War). It’s a rollicking, madhouse of a movie. Camp — a term that entered the language in … (more–>)
Toho didn’t waste any time cashing in on the popularity of the latest Godzilla movie, and released two G films in quick succession that same year (the only year to ever see two Godzilla films released). But this time, they went all-out in a throw-in-the-kitchen-sink manner because they were rushed to get the second film out. By this time, they must have realized Godzilla wasn’t just … (more–>)
Toho was not about to let another seven years slip by without a sequel to a successful Godzilla film, but what to do now? The last two films had all featured Godzilla battling another monster (kaiju), and since that worked for audience approval, why not do it again? But this time there would be several differences. And those differences not only resulted in another popular film, … (more–>)
What was to prove the most successful of Toho’s Godzilla films is, to me, at times one of the hardest to watch in the edited, Americanized edition, even though it included two of my favourite movie monsters. But even in the Toho version, King Kong is not the Kong of the beloved 1933 film. That Kong had majesty and flair. This one, well… read on. The … (more–>)
The unexpected success of the original Gojira film led Toho to find a quick and cheap way to cash in on the popularity. And within six months, they released the second Godzilla film: Godzilla Raids Again (aka Godzilla’s Counterattack). Since most of the previous film’s crew were already working on other projects, new composers, directors, actors, and most of a new special effects team had to … (more–>)
The proposal for a 24-storey waterfront tower with condos, sticking like the proverbial sore thumb above the skyline, well higher than any building permitted by the town’s height bylaw, simply doesn’t fit. And, frankly, it’s big-city ugly. Boxy. Style-less. Drab. Collingwood deserves better. This is our historic waterfront, after all, and the building will be seen from the hills and Blue Mountain, as well as from … (more–>)
I admit to a nostalgic affection for the American (dubbed) edit of the original Gojira — renamed Godzilla, King of the Monsters — because it was the first film in the franchise I ever saw. It helped give me a love of monster movies I still have, more than 60 years later. At that time, I also saw a lot of other scifi and monster B-films … (more–>)
Like most North Americans, my introduction to Godzilla (aka Gojira) came later than the first (original) film. For me, it was the 1956 American edit of this film (Godzilla: King of the Monsters, with Canadian actor Raymond Burr; review to follow), watched sometime in the late 1950s. I didn’t actually see the unedited, Japanese original until fairly recently, although I’ve known of its existence since the … (more–>)