Take one part Brothers Grimm and one part Malory’s Morte d’Artur, add a dash of Tolkein, a pinch of Joan of Arc, a sprinkling of Robin Hood and a sprig of English folklore; mix it in a bowl with copious CGI, great natural settings, remarkably good stage sets, and what do you have? The 2012 film, Snow White and the Huntsman.
The epic film (at least in the two-hour-eleven-minute extended version we watched last night) was an action-packed adventure that never made us feel it was dragging excessively.
Seems we and the critics disagree. I was impressed by the sets, by the stunning sites chosen for the outdoor segments, by the costumes and by generally very good CGI effects (aside from the mirror-oracle character which seemed unfinished).
It’s worth watching the bonus material to get some insight into how the sets and costumes were made and locations were chosen. A remarkable amount of work went into this movie.
Is it Snow White or something new, drawn from the legend but retold?
For that, I went back to the original story last night (actually one with copious sidebar notes), after the movie.*
The Brothers Grimm collected many variants of the tale during their years, and tended to both blend them together into one version for their books,and to alter their substance to suit their particular social, religious and cultural views (for example, in many original versions of the Snow White and other tales, the villain is the mother, but the Grimms changed this almost universally to an evil stepmother, thus altering the psychology of the story).
The movie (plot here) has at its core the Grimms’ basic tale (not, thankfully, the Disney cartoon version which has become iconic for so many people), although not quite as grisly as the Grimms’ (in which the wicked queen demands the huntsman return with Snow White’s liver and lungs so she can eat them). But it ventures into other paths, some for poetic licence (to develop, for example, the romantic interest), others to extend the action and create some opportunity for the action and battle scenes.
In the original tale, Snow White is seven years old. There is no real indication of the passage of significant time in the story, although she weds at the end, so one has to assume at least that many years have gone by (men and women often married young in medieval times). In the movie, the the gap is filled in by Snow White’s imprisonment where she grows up (and gets makeup, apparently).