I was sitting on a decorative rock on the landscaping west of Loblaws, this weekend, waiting while Susan was inside and amusing myself at the bad driving habits of our city visitors in the parking lot. I happened to look down and saw what little, rough grass there was, was almost totally buried in cigarette butts. Toxic, non-decaying, environmentally hazardous and socially hostile cigarette butts. Ugh.
It’s not just there, it’s everywhere. Look along the streets, sidewalks, in the park grass. Thousands of cigarette butts, dozens, maybe hundreds of wrappers and packages every kilometer you walk.
An estimated two million cigarette butts are littered in the USA every day. Phillip Morris even notes that cigarette butts make up the first item of garbage on every American beach. It’s not simply a problem: it’s a disaster. This stuff is seriously toxic.
No, it’s not about that heavyweight book series by George Martin, or the TV series based on it (or even about how you really need to read the books to understand anything that is happening in the TV series). It’s about the other throne, the porcelain one. And what books are best for reading thereon.
Yes, reading on the toilet. Don’t tell me you just sit there and stare vacantly into space.
This is important time. Those few rare minutes when we really have uninterrupted time to ourselves; quality time with our bodily functions unhampered by TV, by the phone, by people wanting to see your gas bill or water heater, by the cats or the dog, by the kids or the neighbours.*
Perfect time for reading. It’s quiet, peaceful, gently lit and often fragranced by the sweet aromas of toiletries, like a garden of lilacs and roses. There you can concentrate, focus your attention on the book at hand, while your body takes care of the autonomous business of emptying itself.
So what sort of publication is perfect for that all-too-short slice of intellectual freedom? What work can you read for a few, exhilarating minutes, put down for several hours or even a whole day, and pick up again and continue reading without having lost the thread or diminished the intellectual thrill?
Clearly, for most folks, that’s a challenge. Continuity makes it difficult to read War and Peace in five-minute snippets. From one day to the next, you won’t remember who Count Whats-his-name is or why he’s out of favour, or who’s sleeping with whom or why they’re all akimbo over the French. For this sort of book, continuity matters.
I know, I’ve tried. I’ve been inching my way through Boswell’s Life of Johnson in the downstairs bathroom for the past two years. Unsuccessfully, if keeping clear all his comments, his activities and his conversations is the point. I switched to Bruce Campbell’s autobiography, If Chins Could Kill, and found – despite the shallow, narcissistic content – it was much easier to track through Campbell’s life than Johnson’s. But I feel somehow my bathroom experienced is cheapened.
About 20 kilometres from home, while mentally playing the piece I had practiced all week, I asked myself if I had remembered to pack my tuner.
I remembered taking it off the ukulele and placing it in my luggage. I had raced upstairs to put it away and grab a gig bag for the Boat Paddle uke, resting on its stand downstairs.
Whew. Of course the tuner was safely stored in the luggage. And the uke was… my mental alarm sounded. Still sitting in its stand. Back home. I had been distracted, gathering my books for the trip, forgot about the case and brought the bag downstairs by itself. In the flurry of packing the car, getting the dog inside, checking on the cats, selecting music for the trip, and packing the laptop, I forgot the most important thing: my ukulele.
Uh oh. A good part of the trip centred around a ukulele. Which, like the cheese in the Monty Python sketch, I didn’t have.
I was planning to attend a weekly jam of the Toronto Corktown Uke group, only my third ever, and had wanted to play a song of mine for the open-mic portion. I had planned to be at this session for weeks. Damn.
Well, nothing to do about it now at 80 kmh. We motored relentlessly on to the city, first to visit my mother, then on to the hotel for a three-day stay downtown. But, I reasoned, if I took the right route into town from her nursing home, I might just manage to drive by the Twelfth Fret music shop on the Danforth, and if there was a parking space nearby…
Of course there was. The stars aligned for once and the usually busy Danforth had several spaces available. Stopping was inevitable.
After an hour trying this one and that, moving from room to room while Susan restlessly followed (does it sound better or worse now?), I walked out with a Martin T1K tenor uke (not the Iz signature edition). My birthday present to myself. Susan merely rolled her eyes. Another uke?
We watched Life of Pi last night, a film that has garnered much critical acclaim and won four coveted Oscar awards (although it has not been without controversies). I had struggled somewhat with the book (for reasons given below), but the lavish praise for the film made me decide to try again.
I had read about the movie’s stunning camera work and CGI graphics, and these do not disappoint. It’s a beautiful film, and the CGI is amazingly lifelike. I puzzled over what was real and not in many scenes. But the story itself…
While sometimes described as a “fantasy adventure”, the novel is really an allegory about the search for meaning in religion. It’s also about the relativity of truth.
One of the delights of fiction is than an author can conjure up a situation, a landscape, an event and give his or her characters the chance to explore that imagined world and determine what it means to be human under those circumstances. That’s one reason I like science fiction: it has no boundaries to the imagination. But sometimes an author is trying not just to use this world to explore the human condition, but rather make a point, to teach, to pontificate what he or she believes is the message we readers need to absorb.
I felt Martel’s message, lumbering through the pages, was heavier-handed than his actual words. And that too often he meandered down his path rather than walked us towards it (compare the 300-plus pages of Life of Pi to Antoine de Saint-Exupéry’s brief little allegory, The Little Prince). Even Paul Coelho, that author of so many allegories, is briefer in his tales of self-discovery.
Martel’s writing is fairly smooth and light throughout most of the book, but I personally found it dragged, especially in the beginning. The core of the tale – Pi’s survival at sea with a tiger – doesn’t being until Chapter 37, a third of the way into the story. By then I was muttering “get on with it” to myself as I read through the pages.
The tale – when it finally began – struck me like a modernized Book of Job: a human suffering the vicissitudes of life and his hostile environment while struggling to keep faith, illogically at times, with an arbitrary, unresponsive or sometimes downright cruel deity. Again, I found it stretched on longer than necessary. Like Job, our Pi has to go through numerous challenges to test his faith. Continue reading “Review: The Life of Pi”
There’s an economic principle known as the rule of fungibility that states a commodity is equivalent to other units of the same commodity. For example, a litre of gasoline is the same commodity regardless of the brand or source. A bushel of wheat is the same regardless of the country. Ten dollars is ten dollars whether presented as a single bill or in smaller denominations. These are fungible items.
But fungibility doesn’t apply to language. Words do not have an absolute base value, but are rather weighed in their context, and their source. A street thug telling his pack followers to “Kill the bum” is very different from a sports fan shouting the same thing at an empire during a baseball game. Context is everything.
If a neighbour comments, “Taxes in this town are too high. They are killing jobs, hurting homeowners and bankrupting businesses,” it’s a complaint. A fairly common one from a taxpayer. One person bitching to another is lightweight, regardless of the truth of that complaint.
Put it in a letter to the editor, and it gains weight because others read it and may start discussing it. It gains traction.
Put it on social media and you can engage people in discussions immediately and share the comment with people outside your own borders, creating an image of the town for outsiders: don’t move there, don’t start a business there, because taxes are too high. There’s no work there.
It can quickly become damaging to to whole community.
If the media says it in an editorial, it’s bulks up. Even though the media does not necessarily represent any more voices than the editor’s sole view, media still has a patina of authority for most readers.*
And when that editorial gets put online, like the social media comment, it not only spreads the idea, but it helps build – or deteriorate – the community’s reputation for outsiders.**
Almost every council decision comes with the subtext question, “Can we afford it?” Everything not procedural or administrative is usually about the cost. Who pays, whose budget does it come from, is the money in reserves, can we get funding, can we use development charges, will it raise taxes, are there other options, are there partnerships – all these questions run through most discussions.
Will it raise taxes? That’s crucial. No one wants to pay more.
The economic path is simple: property owners pay taxes, municipalities spend them. Almost all of the money a municipality gets comes from the taxpayers; a small amount comes from service users (people use facilities, rent venues, pay parking fees, dog licences, etc.) and some comes from grants from higher-tier governments.
It’s council’s responsibility to ensure that the money is spent wisely.
On June 10, council made a decision on how to spend the dividend from the sale of 50% of our electrical utility – Collus. That June 10 agenda was accompanied by a report by the treasurer that had been presented previously, on Feb. 25. It documented the responses from the public on the uses of these funds, and included comment on some of them.
The total amount of money available from that sale was approximately $14.45 million. The town has on hand $12.28 million in cash and $1.71 in a promissory note ($13.99M total).
Council voted 8-1 to use the funds to pay for the new recreational facilities (approx. $9.8 M) and put the rest into a reserve to upgrade Hume Street (the latter vote was unanimous).
Any other decision would have meant raising taxes in 2014 to cover the costs of the rec facilities. It really was all about the taxes.