Monthly Archives: January 2014

Running for re-election in 2014

Earlier this month, I filed my nomination papers for municipal council. I am running for a fourth term as Collingwood councillor. I will post a new election website with updated information and campaign content later this winter.

I would appreciate your support, your trust and your vote. I believe I have earned them during my time on council, and will continue to do my best to serve the residents of Collingwood, and meet the needs of our growing community, when re-elected.

Until the new website is available, I want to let any eligible Collingwood voters who wish to contact me about issues, events and activities to feel free to do so. You can contact me by email. If you want to talk in person, please send me your phone number and a good time to call or to arrange a meeting.

I have a Facebook page where I will also post updates and related municipal content, as I always have done. I will launch a separate Twitter account for political campaigning this winter. Should you wish access to my personal Twitter feed (@iwchadwick – not used for political campaign content), please post a follower request on Twitter.

I stand on my experience, reputation, my integrity and the very positive results this council has accomplished this term. This has been the most productive, engaged, open and dedicated council I have served on, and reported on while I was reporter in the local media. I am proud to have been able to serve the town on this council; proud to have contributed to those accomplishments.

This term I have also been fortunate to share my political and media experiences with other politicians through articles and books published by Municipal World (three books and numerous magazine articles published, with a fourth book and new article due in 2014). I am passionate about municipal politics, about good governance, about public engagement, and I hope my writing expresses that.

I am also passionate about Collingwood. We live in the best community in Ontario: we have exceptional natural beauty; a stunning heritage downtown; low crime; lovely, walkable streetscapes; we have a solid workforce; many employment opportunities; we are centrally located in Ontario’s all-season playground and we have a good municipal staff at town hall to help council implement its strategic goals.

I love this town, and have been actively involved in it ever since we moved here, almost 25 years ago. I have been engaged as a volunteer on many boards and committees, and participated in service club activity. I believe in giving back to our community to help keep it the best place to live. Being on council has helped me give back in the best way possible.

If you would like to help my campaign or contribute, please contact me.

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Reading Thucydides at last

BookshelfSomewhere on one of my bookshelves, is an old Penguin paperback copy of History of The Peloponnesian War by Thucydides. It’s a bit worn, pages lightly yellowed, glue a little brittle. It’s been sitting on the shelf, stacked with many other paperbacks, piled two deep, floor to ceiling, for the past two decades and more.

It’s never been read, not completely. I read the introduction, maybe some small sections, back in my wargaming days, 30 or 35 years ago. Like many of its companions on that shelf, it’s a book I put aside for the days when I expected to have more time to read such works. My retirement. Insert canned laughter here.

Of course, when I bought it, in the 1970s, I hadn’t expected to be in politics, writing books and articles on municipal issues, blogging, playing the ukulele, and furiously baking in my “golden years.” How did I ever get so busy?

Nowadays, it seems these books may have to wait a little longer to be read. Some of them, anyway. The pile of books in progress beside the bed seems to get refreshed with new titles all too often, and few of the older ones make their way into it.

Thucydides sits on the shelf with similar Penguin editions of Herodotus, Xenophon, Josephus, Suetonius, Caesar – historians of ancient Greece and Rome. He shares shelf space with Dickens, Dostoyevsky, Hardy, Wolfe, Baudelaire, Austen and other great writers of fiction. Many of them were put aside for later, although others have been read.

There’s a whole collection of Latin American authors I picked up in the 70s; mostly read back then, but many deserve rereading. There are collections of classic Japanese and Chinese poets. Books by popular modern authors – Michener, Hemingway, Steinbeck, Burroughs (read most of those), Kerouac (ditto), Heller, Vonnegut. There are philosophers – Plato, Aristotle, Voltaire, Hobbes, Suzuki, Spinoza. Plays by Wilde, Shaw and Sophocles. Essays by Orwell and Voltaire.

Some days, I despair I’ll ever get to them. They deserve to be read, all of them. Each is a gateway to a whole world, a universe, even. Now and then I pick one up, read a chapter, maybe a poem or an essay, but it goes back on the shelf for years after that.

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The Mac celebrates 30 years

MacintoshA recent article on Gizmodo shows off some previously unseen (or perhaps just forgotten) footage of a young Steve Jobs unveiling the Macintosh computer, back on January 30, 1984.

Thirty years ago, this week.

Seems like forever ago. But I remember it, and reasonably well. I remember where I was living then, what I was working on, and who I was with (I’m still with her…)

The video clip also includes the famous Orwellian “1984” TV ad Apple used to launch the Mac. That’s worth watching for itself. It was a really cheeky ad, and generated a lot of chatter about marketing at the time. The clip includes other Mac ads you should watch.

I had a Mac around then, bought, as I recall, in late 84 or early 85. I had had a Lisa – the Mac’s unsuccessful predecessor – on loan for a few months in 83 or early 84. I wasn’t impressed with the Lisa, but the Mac really captivated me.

I also had an IBM PC, from 82 or 83, and never quite understood the anti-IBM sentiments Jobs and Apple promoted among users. But then PC users fought back just as adamantly over the superiority of their platform.

As a computer geek from way back, I just loved having any – every – computer. When I started computing, I lived in a two-bedroom apartment; the second (the Iarger of the two, of necessity) bedroom became a workroom filled with computers, books, manuals, printers, modems, tools, chips, soldering irons, cables, and printers. As a technical and documentation writer, I always had extra hardware and software on loan from manufacturers and distributors. I once described my room as looking like a “NASA launch site.”

When we eventually bought our own house, I had a room for my books and computers, too, although they tended to escape and overrun the rest of the house. Same thing has happened here, although the amount of hardware is much reduced from the glory days (more ukuleles today than computers).

But ever since my first computer, I have not been a day without at least one computer in the house, usually several.

By the time the Mac was released, I had been computing for more than six years. I bought my first computer in the fall of 1977, a TRS-80, and soon had several machines (an Apple in 79, an Atari 400 in 1980 and then an 800 in 81). I belonged to user groups, subscribed to at least a dozen computer magazines, and wrote for several, including one of the earliest columns on computer gaming (in Moves magazine). I attended many computer fests and exhibitions in Canada and the USA – in fact, I helped organize a microcomputer fair in Toronto, at the International Centre, in the mid-80s.

As you read this, in 2014, I’ve been at it for almost 37 years.

So I take some umbrage when I read this condescending snippet on Gizmodo:

30 years ago the landscape of personal computing was vastly different. That is to say, it hardly existed.

Hogwash. It was alive and well – thriving in its entrepreneurial glory. Only poorly-informed journalists who have not done their research would make such a claim. Or perhaps they are too young to know of the rich history of personal computing prior to their own acquisition of a device.

By 1984, we had seen the TRS-80, Commodore Pet, Apple II, Kaypro, IBM PC, Atari 400, 800 and 1200, Sinclair, TI-99, the Acorn, Coleco Adam and many others. Apple’s own IIc would be released later in 1984.

We would soon see both the Commodore Amiga and Atari ST 16-bit computers launched. Of which I had them all, and a few others passed through my hands in that time, too.

In the 80s, CompuServe dominated the field of online services with millions of customers as it spread. I was a sysop on CompuServe for many of those years. I even operated my own BBS for a while.

CompuServe was challenged – aggressively, but not very successfully – by several competitors in that decade including The Source and Delphi (I was later a sysop on Delphi, too, before moving to Collingwood).

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Water, water, everywhere

K2 flour breadHydration matters. Not just to athletes and long distance runners. It matters to bakers. How much water is in your dough is crucial to how the crumb develops. It’s amazing how a few grams more or less of water can make a real difference in the resulting loaf of bread.

This week I did a little experiment that got me thinking about hydration. I made a loaf of bread in the machine using the “French” recipe and settings, (see my previous post about making French bread in the machine) but this time substituting the same volume of K2 organic bread flour for the called-for white bread flour. The result was a dense, misshapen loaf – tasty but not anywhere near the result I had expected. Very crisp crust. And I think hydration was the reason.

Or, more accurately, the lack of sufficient hydration for that kind of flour. But because the recipe is in volumetric measurements, not weight, the calculation of actual hydration is at best inexact. In future, I will have to measure then weigh the ingredients before mixing, to better understand the hydration percentage.

K2, by the way, is a small flour mill in Beeton Susan and I visited late last year. Great artisan products, and a bread market on Sundays. Worth taking a trip. I came home with 10lbs each bread flour and Red Fife flour.

Red Fife labelRed Fife is a Canadian heritage grain, a whole wheat flour I have only used minimally, but plan to experiment more with in the coming weeks. I do not know the exact protein percentage of either (although this NatPost article suggests Red Fife has lower protein, this report on a lab analysis suggests that’s not true: but that “the gliadin protein level is ~35% of this wheat’s overall gluten protein content. Wheat gluten’s insoluble proteins are gliadin and glutenin. This compares to ~80% gliadin protein levels found in a popular modern bread wheat.” And the nutritional label (see image on left) on this site suggests it’s actually higher protein that commercial AP or bread flours – 15%! Food With Legs site has a label that shows 13%. Harvest Hastings shows it at 13.4%, however… and if you wonder what the falling number of 340 cited is, see here and here*).

In my few tests, whole wheat flours and artisan blends tend to have different weights than the usual commercial bread or unbleached white flour I use. Plus the weight per cup changes depending on whether the flour is sifted or fluffed (or compacted).

My own per-cup weights are sometimes as much as 20% more than those shown in books and on sites for the weight of a cup of flour (typically 125-140 grams unsifted for AP flour, but I’ve weighed it over 160g). That would throw off the recipe’s hydration which is based on commercial all-purpose or bread flour (and a good reason to have recipes listed by weight, not volume).

By the way, Lime Leaves and Taste Buds says this about Canadian whole wheat flour, just adding to the reasons to buy artisan flours rather than commercial blends:

Even more disheartening is that fact that whole wheat flour sold in Canada is not necessarily whole grain due to a ridiculously outdated piece of 1964 regulation which allows millers to legally use “whole wheat” on the label despite their removal of up to 70 per cent of the wheat’s germ!!!

As a sidebar note, the K2 bread flour has a wonderful texture, a bit like having cornmeal added to the bread. That may lessen somewhat if there is higher hydration and longer fermentation time to soften it. However, I really liked the texture and flavour. But back to hydration…

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For want of a nail…

Big SwitchBought a book at Loblaws (of all places) this week, one by Harry Turtledove: The Big Switch. It’s one of his many alternative history novels, about what might have happened if things had happened a certain way – a different way from what actually transpired – in the opening years of World War Two.

He’s written several in this vein and they’ve all been generally well received. I’ve liked what I’ve read of him in the past.

Many authors have taken up this sort of speculative fiction, although none as frequently as Turtledove. What would have happened if Hitler had invaded England? If the USA had not entered the war? If Germany had developed the atomic bomb? If India and the colonies had used the war to spark a rebellion against British rule? What if the USSR sent troops and materiel to Spain to help the republican cause?

I suspect every major theme in WWII has been explored in such speculative novels.

Every event in history is open to this sort of what-if debate. Since at least the 1950s, science fiction writers have been giving us alternate reality stories – that awkward neologism, Uchronia – where timeline-changing events have shaped a universe just like ours, but made different because of different choices or results. It’s a rich field, and great intellectual exercise.

Alternate history fiction offers different sorts of challenges to fiction writers, as opposed to say, scifi where writers can create their own new worlds. And for readers too, because the skeins have to be both imaginative and close enough to reality to make sense. Orson Scott Card’s Redemption of Christopher Columbus, for example, offers an alternate history world where Columbus is shipwrecked in the Americas, and rises to political power there. Fascinating stuff.

More recently, the TV series Fringe explored the alternate-universe concept through five seasons of entertaining shows. (Well, entertaining at least through the three-and-a-half seasons we’ve watched so far).

It’s always fun to explore the ideas, and to read what intellectual landscapes others have created around them. Such speculation is even captured in colloquial proverbs often called for want of a nail:

For want of a naile the shoe is lost, for want of a shoe the horse is lost, for want of a horse the rider is lost.
George Herbert: Outlandish Proverbs, 1640

Those readers who are also M*A*S*H fans will recall the episode in season two called, “For Want of a Boot.” Shakespeare aficionados will think of King Richard shouting “A horse! A horse! My kingdom for a horse!” in Act V, Sc. 4 of Richard III.

Small changes can have ripple effects that run through to shape the larger history. or as Wikipedia says it, “a failure to anticipate or correct some initially small dysfunction leads by successively more critical stages to an egregious outcome.”
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The Short and the Tall of It

Mixed yeast bread 01This past week saw several new experiments in my bread laboratory. Okay, it’s a kitchen, but sometimes it feels like a lab, what with all the tinkering and testing I do. I just can’t seem to stop trying new things in bread. It would fee even more science-like if Susan would let me buy the implements and tools I want.

First, however, the good news: my levain remains thriving and healthy. I have two batches now: one on the counter, the other in the fridge. The counter batch is used as a poolish right now; the fridge is the long-term colony.

I used most of the counter colony last week to make a mixed-yeast bread, based somewhat on a recipe in Peter Reinhart’s book, Artisan Breads Every Day. I’ve since restored the levain to fuller size by feeding, and will use it again this week for another mixed-yeast loaf; this one with some tweaks.

You can read some of Reinhart’s ideas about bread, poolish, hydration and cold fermentation here in this PDF file. Or check his blog for ideas and new recipes. I really enjoy Reinhart’s writing and recommend his books. There’s always something to learn in them.

The idea of mixing the two yeasts intrigued me. I’ve learned a lot about pore-ferments and cold fermentation since I started baking. Reinhart writes:

The use of old dough or pre-fermented sponges was developed by traditional bakers as a way of slowing down fermentation and, essentially, buying the dough more time to release its flavor (a result of starch molecules releasing some of their sugar and saccharide chains, as well as the formation of acids due to fermentation by yeast and bacteria). Some of these pre-ferments are wet and batterlike, while others are dry and firm; some are made with commercial yeast, while others use naturally occurring wild yeast (sourdough starters); some have salt, and some don’t. What they all have in common is the idea of adding older, slowly fermented dough to young, freshly made dough to instantly age it so that greater flavor can be developed in less time. This is an example of the manipulation of time by the manipulation of ingredients.

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The 2013 Great Gatsby

Great Gatsby party scene
Watched the 2013 film of The Great Gatsby last night. The first half was spectacular, grandiose and captivating, if somewhat over the top. Like Busby Berkeley meets The Fifth Element. Extravaganza, spectacle and excess.

The film doesn’t feel like it’s set in New York of the Jazz Age. It’s too shiny, too polished, too mechanical, and not gritty enough.

That’s actually okay, and had director Baz Luhrmann chosen to make Gatsby into a scifi film set not the roaring twenties, but rather some futuristic world where the fashion craze is for 20s’ costume, it could have worked better. It would have accounted for the music, for the sets, for the Dark City- or Fifth Element-like vistas we get of New York.

One of the disconnections in the movie is the music. While updating era music with modern technology and sound works well – the Gershwin is great, and the positive influence of Brian Ferry and his orchestra is felt in much of the soundtrack – the hip hop is jarring. It pulls you out of the setting, releases you from your necessary suspension of belief to fall into the gravity of the reality: this is just a movie and we’re here today, not yesteryear.

The second half of the film seems to drift away from the great spectacle into an overblown period piece drama. Downton Abby without the accents, but also without the gangsters or the street life. Big sets surround little people and little problems. The morality tale F. Scott Fitzgerald wove into the novel seems diminished, while his illusionary, glittering world towers above us.

What started out with such promise just slides into predictability. Maybe that’s because I read the book (albeit many decades ago) and I knew the ending. Maybe it’s because Leonardo DiCaprio plays Jay Gatsby and one can never watch him without thinking of the film Titanic. Not to mention he doesn’t have a great range of expression.

Like that movie, this one has an inevitable (though metaphorical) iceberg Gatsby has to crash into, bringing about his ruin. And that ruin symbolizes the fall of the American dream that had built such fantasies. It’s an almost biblical theme that deserves big treatment, but doesn’t live up to its potential.
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Crossing the line

HuffPostThere’s a story on ipolitics that in part echoes my own thoughts about media and responsibility. Yet the author draws different conclusions than I believe I would have, were I still in the media.

It’s called “Paul Calandra and the tale of the naked senator” and it’s written by Paul Adams. Worth reading regardless of whether you agree or not.

Adams writes about the quandary many reporters and editors find themselves in: trying to define the boundary between public interest and privacy. It’s an issue that has raised its head many times in the past, but moreso this past year.

This debate must have raged (or at least I hope it raged) in the editorial offices of the Toronto Star in late 2013, when the paper decided to release a video of Mayor Ford – apparently intoxicated and raging – that clearly had nothing to do with Ford’s political office or his abilities. And, since there was no way to identify the context of of Ford’s comments, the viewer had no way to tell who he was ranting about, even if it was a real person rather than a TV show character.

The Star itself admitted:

The target of the mayor’s anger in the video is not in the room and is not known to the Star.

yet it ran the video with a lengthy story to accompany it.

To me, the Star opened a Pandora’s box. If the mayor has no private life outside his office when he is not in the public eye, then should that be true, too, for the Star’s staff? If it is fair to show a video of a private moment (surreptitiously recorded in someone’s home, not a public place), then why would it not be equally (and morally) correct to show videos of TorStar editors and reporters at their worst?

The argument is often made that elected politicians represent their office 24/7, so they have no private persona when in office, just a public face. But is that not also true of police? Of doctors? Pilots? In fact, we associate most people with their jobs and their social positions regardless of the time of day, or their location. They represent their position, their employer 24/7, even when not in the job, just like politicians. Thanks to social media, we have no clear definition of private and public lives.*

If our personal behaviour reflects on our roles and jobs no matter whether we are in our office, in private, on our Facebook page, in a restaurant or on a golf course, so it must be equally true of the media. After all, can a reporter stop being a reporter or representing the paper he/she works for  when out of the office any more than a mayor stop being a mayor? I don’t think so. That’s one reason why the Star should have been reluctant to release the video.

But the real reason is discretion. What purpose does such sleaze serve? is there a greater good in ridiculing and embarrassing the mayor over a private matter? All it does is smear the city’s reputation worldwide, make the entire city the butt of ridicule. And discredit the Star.

Adams says the parliamentary press corp has,

“A highly developed prurient interest coupled with a equally powerful culture of discretion about what should be shared with the Canadian people.”

That should be refreshing, but I doubt it’s a sentiment shared among all journalists, as the TorStar video release shows. In fact, I’d suggest that it wasn’t discretion at all, but rather partisan politics that made the media act as it did in Adam’s tale of two events.

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