Author Archives: Ian Chadwick

About Ian Chadwick

Writer, editor, reviewer, former municipal politician, researcher, ukulele musician, media relations consultant, fan of Shakespeare and Chaucer, tequila aficionado, lay historian, chess player, PC gamer, avid reader, skeptic, website tinkerer, companion to two dogs and four cats, loving husband, harmonica & bass player, passionate about my small town, and perennially curious about everything.

Not Getting It


ConfusedIn a recent opinion piece in the Enterprise Bulletin titled “Swayze overused by council?” EB reporter/editor Paul Brian comments,

I think the overuse of Swayze is outlandish and it is not congruent with the tough financial situation of the town.*

Like much of the EB’s increasingly vague reporting since former editor Ian Adams left, the paper’s current editorial staff doesn’t seem to understand municipal politics. The reporting on many local matters raised at the council table show a naïve ignorance of both the issues and the processes at stake. The EB’s budget reporting this year was so flawed it should have been posted as satire, not news.

The EB just doesn’t get it.

That “tough financial situation” Brian mentions allowed council to approve a $40,000 increase in Councillor Jeffrey’s expenses so she could pursue personal political goals outside of town. The EB was ominously silent on such abuses of power, and has been equally silent about council’s apparent failure to actually read the budget documents they were voting on.

And now this… the EB continues to dazedly tread deep water. Its writers struggle vainly to regain what little relevance the paper once had to the community, by pretending to know what’s going on. Well, they don’t.

One suspects this myopic editorial approach is bolstered by the ideological need to support the few council ‘friends’ of some of its writers.

Brian apparently doesn’t understand why an Integrity Commissioner was hired. It’s not for council’s use – although councillors can file complaints like anyone else – it is for the public. It is to provide a mechanism for any member of the public to question or challenge the behaviour of their elected representatives.

Is Brian suggesting the public is ‘overusing’ the IC by filing legitimate complaints? That would smack of arrogance and autocracy. The public has every right to file any number of complaints. The IC is there for them. The public perception of council is at stake.

And what price do you pay for accountability? Brian suggests there should be some sort of cap on it. What, stop investigating public complaints once the budget is used up? That’s hardly accountability. But perhaps Brian thinks that’s what council wants, since the results are embarrassing to them.

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Written by God?


American godI don’t pay as much attention to American politics as I suppose I should, in part because despite the entertaining craziness of some of their politicians, the internal politics seldom affect Canadians, and also in part because the craziness not only baffles me – it scares me. But this week I paid attention when I read year-old statements made by former House Majority Leader Tom DeLay, who is quoted on Rawstory as saying,

“I think we got off the track when we allowed our government to become a secular government. When we stopped realizing that God created this nation, that he wrote the Constitution, that it’s based on biblical principles.”

Whoa. Christian revisionism and theological ideologies packed into a single statement. And so wrong, I hardly know where to start.

The country I come from
Is called the Midwest
I’s taught and brought up there
The laws to abide
And that the land that I live in
Has God on its side
Bob Dylan: With God on Our Side

The US government was formed as a secular government from its birth. Separation of church and state and all that (First Amendment) was put into the Constitution quite early (1791). That amendment, Wikipedia tells us,

…prohibits the making of any law respecting an establishment of religion, impeding the free exercise of religion, abridging the freedom of speech, infringing on the freedom of the press, interfering with the right to peaceably assemble or prohibiting the petitioning for a governmental redress of grievances.

The nation itself was created by a loose group of soldiers and politicians, many of whom were either secular or even atheist, after a bitter and bloody war with Britain (and later, other nations). The Constitution was written by a smaller group of similarly motivated men. And it’s very definitely NOT based on biblical principles (principles which include stoning people for minor offences, killing your children, taking slaves, not eating pork and having animals maul children to death…).

Not to mention that the nation we know of as America wasn’t actually born overnight with the stroke of a pen, but is the result of more than a century of expansion, war, politics and exploitation. At least that’s the history as I understand it.

I’m pretty sure the millions of indigenous people who were killed, disenfranchised, hunted, humiliated, raped and brutally reduced to second class citizens don’t think it was the work of any benevolent god. You see the digits of a deity anywhere in that? DeLay obviously does; which speaks volumes about his personal vision of a god. A nasty, xenophobic, mean-spirited, vindictive god.

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Me, Myself and I Redux


T-shirtAt Collingwood Council meetings, you will always hear someone say “Moved by myself…” when presenting a motion at the table.*

Argh! Where did these people go to school? Clearly our education system has failed us if people were raised to say that. And this is in the public record, too.

To me it’s like nails on a blackboard. It’s like saying “I seen…” and “yous.”

The grammatically correct way to present a motion is, of course, to say, “Moved by me…”

So why the mistake we so frequently hear at the table – and in fact in many other councils across the province?

Common misunderstanding and discomfort, it appears are the cause, at least according to the grammar sites I read.

People often (and incorrectly) think “me” is incorrect or even coarse (well, it is when you say something like “Me and my friends are going dancing” or “I got me a pickup truck…”). But this is misplaced.

That unnecessary caution is why some people will say things like “It is I” or “It’s for my wife and I” when they really should say “It is me” and “It’s for my wife and me.” And say “between you and I…” when they mean (or should say) “between you and me…”

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Shakespeare Changed Everything


Nat Post reviewI have been reading an entertaining little book called How Shakespeare Changed Everything, which, as the title suggests, is about the pervasive influence the Bard has had on pretty much everything in our lives ever since he started putting quill to paper.

Stephen Marche’s book was described in the NatPost as a, “sprightly, erudite sampling of Shakespeare’s influence on absolutely everything.” Reviewer Robert Cushman isn’t always that laudatory about all of Marche’s claims, however. He concludes the book is full of,

…rash generalizations balanced by elegant insights. Rightly, he links Shakespeare’s frankness about sex to our own; wrongly, he asserts that all love poetry before Shakespearean had been Petrarchan idealism. In fact, Shakespeare’s cheerful obscenity is also typical of his fellow playwrights, of his near-contemporary John Donne, and even of a gentle sonneteering predecessor like Sir Thomas Wyatt. And besides, the Shakespeare sonnet he actually quotes (“the expense of spirit in a waste of shame”), though certainly frank, is anything but celebratory. On the other hand, he can cut to the heart of what makes Shakespeare supreme: his “preternatural ability to match the sound of a word to its sense”; that “no one produces characters with more individuality of language than Shakespeare”; that he “violates the idea that life can be fully understood.”

Well, don’t let either the criticism or the possibility of hyperbolic claims deter you. It’s a fun book that anyone – not just Shakespeare scholars – can read and enjoy. And like most books about the Bard, it adds to the growing corpus of ideas and opinions about Shakespeare’s influence and impact.

Whether you agree with Marche’s or Cushman’s assessment, no one can argue that Shakespeare didn’t influence – and continues to influence – the world.

His longevity is remarkable. None of his contemporaries get more than mild interest today, and few if any are the subject of books, university courses or lectures. I don’t know of anyone who reads Fletcher or Middleton or even Jonson for pleasure these days, but many – myself included – still read Shakespeare for the simple enjoyment of it.

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Too Many Books?


Too Many Books?Tim Parks* wrote an intriguing essay in the New York Review of Books last week with that title. My first thought on seeing it was to wonder if one can ever have too many books. But of course, Parks – an author himself  – is looking at the bigger picture, not the ever-growing collection that clutters my bookshelves and litters my house. He asks:

Is there a relationship between the quantity of books available to us, the ease with which they can be written and published, and our reading experience?

I worked in book publishing as both an editor and a sales rep for many years, and before that, I worked in bookstores and even owned a bookstore. I understand reasonably well the business and the economics of publishing, and of retail. Because of that experience, I have often wondered these past few years as I wander around in bookstores, how the industry can sustain such output. How many more books on the frivolous gluten-free fad, or cookie-cutter teen-vampire tales, or vapid talk-with-angels books can we add to the shelf before the diminishing return on such investment discourages publishers?

There are more books being published than ever before, and with the internet and e-readers, more ways to access those books; but is that always a good thing? Can we be overwhelmed by the volume of material to the point where we turn away from many – if not all – books?

Can we have too many choices so that we cannot discern the wheat from the chaff?

Yes, of course: all these books cannot be great books; some have to be poorly written, researched or plotted. Chaff exists. A multitude of voices can be a cacophony as well as a choir.

Parks himself asked, in another NYRB piece:

Is there any consistent relationship between a book’s quality and its sales? Or again between the press and critics’ response to a work and its sales? Are these relationships stable over time or do they change?

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Rethinking John Carter


After recently going through the first five of Edgar Rice Burroughs’ 11 Barsoom books, I decided to give the 2012 Disney film, John Carter, another viewing. This two-hour-eleven-minute film bombed at the box office, and when I first saw it, I was deeply disappointed. But on reflection after a second viewing, it isn’t all that bad. It’s not great, but it deserves a better rating than it received, and it wears well in a second viewing.

It isn’t quite the Barsoom I grew up with, true, but it borrows heavily from Burroughs, enough to make it a close cousin in many parts. It’s the parts where the writers went off to play mix-and-match with other scifi franchises and stories where it’s actually weakest. That’s where the storyline unravels, but not so much it falls apart.

And, of course, no film or TV series can ever live up to the books, if for no other reason than that no matter how spectacular, no film cannot live up to imagination. Reading always wins, hands down, regardless of the film’s budget.

I initially saw John Carter through my own lens as a lifelong fan of ERB, who had grown up reading and rereading Burroughs’ tales and still has a substantial library of his novels on my bookshelves. That’s a mixed blessing, because while it allowed me to immediately understand the story, setting and the characters, it made me overly sensitive to that context. I compared the actual novels and the plots to the film from a purist perspective and found them wanting.

I should have been looking at the film more as a tribute, set in the Barsoomian universe, rather than a strict retelling. The film plays homage to the first two Barsoom novels, but also takes many liberties, conflating plots and characters and adding extraneous non-Burroughs elements. I didn’t like these additions at first, but now I understand better what the writers and director were trying to achieve by enhancing the drama.

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We Need a Different Integrity Commissioner


Monday night’s council meeting again underscored why the town needs someone new in the role of integrity commissioner. Lawyer Robert Swayze presented his report about a complaint filed against councillor Deb Doherty and it was accepted by council in a recorded 6-2 vote*. But his report shared the same flaws his previous report about former Deputy Mayor Lloyd had, and kudos to the two (mayor Cooper and Coun. Lloyd) for rejecting it.

The IC’s report was presented to the public (and thus to the media) before it was presented to the council member (Doherty) about whom it had been made. The town’s bylaw 2014-042 clearly states:

The Integrity Commissioner shall not issue a report finding a violation of the Code of Conduct on the part of any member unless the member has had reasonable notice of the basis for the proposed finding and any recommended sanction and an opportunity either in person or in writing to comment on the proposed finding and any recommended sanction.

But neither the former Deputy Mayor nor Coun. Doherty were presented with the final report/findings before they went public. An IC who does not obey the rules set out for his participation is a liability and this town deserves better oversight. This is exactly why the former council rejected the first report.

By accepting the report in public before the member has had that “reasonable notice” and before that member has had “an opportunity… to comment on the proposed finding,” the majority of this council has approved breaking the bylaw. Twice, now. That is NOT accountable or open government.

The irony here is that Coun. Doherty herself brought the report against former Deputy Mayor Lloyd back to the table this term, and voted to accept it.

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Musical Sources


Old sheet musicTrying learn a song from an old songbook or sheet music can be difficult unless you already know how the song goes. Many of our group are introduced to the music in our songbook only through my version when I play in at our meetings. And, I admit, my version may not always reflect the original accurately.

It’s good to be able to hear the song so you can  appreciate how it is arranged and where the chord changes will be.

Here are a few of the online resources I recommend, you can go to where music from the 1920s and 30s is available to listen to or even download:

Of course, you can also look for a song on YouTube. Keep in mind when you’re working from old sheet music that most of the songs were not originally intended for ukulele, and may be written in a key that is difficult to play in. To simplify and correct the arrangements, the chords shown in the sheet music may not always be the ones we use in our own songbook.

NB: This is a copy of what I posted on the CPLUG blog.