After reading the play by Shakespeare last week, I decided to tackle Chaucer’s epic 8,000-line poem about the Trojan lovers, Troilus and Cressida (or Criseyde as Chaucer writes it). It’s a long, somewhat meandering piece that begins, in the Online Medieval Classical Library version:
The double sorwe of Troilus to tellen,
That was the king Priamus sone of Troye,
In lovinge, how his aventures fellen
Fro wo to wele, and after out of Ioye,
My purpos is, er that I parte fro ye.
Thesiphone, thou help me for tendyte
Thise woful vers, that wepen as I wryte!
To thee clepe I, thou goddesse of torment,
Thou cruel Furie, sorwing ever in peyne;
Help me, that am the sorwful instrument
That helpeth lovers, as I can, to pleyne!
For wel sit it, the sothe for to seyne,
A woful wight to han a drery fere,
And, to a sorwful tale, a sory chere.
Okay, that’s the Middle English original. Not everyone’s cup of tea. But don’t give up yet. Read it aloud. Slowly. Pronounce each vowel as you would in Spanish or Italian. Sorwe becomes sor-weh. Parte is par-teh. You will at least hear, and perhaps feel, the rhythm in his words, the rhyming scheme.
You can also take several online courses in Chaucer that will help teach his language and style, like this one at Harvard U. The site also offers a handy interlinear translation of several fragments (although not complete poems) where the Middle English line is followed by a modern version. I have a paperback edition of the Canterbury Tales like that and it’s very helpful and quite readable.
Here’s the same two initial verses translated by Kline:
Troilus’s double sorrow for to tell,
he that was son of Priam King of Troy,
and how, in loving, his adventures fell
from grief to good, and after out of joy,
my purpose is, before I make envoy.
Tisiphone, do you help me, so I might
pen these sad lines, that weep now as I write.
I call on you, goddess who does torment,
you cruel Fury, sorrowing ever in pain:
help me, who am the sorrowful instrument
who (as I can) help lovers to complain.
Since it is fitting, and truth I maintain,
for a dreary mate a woeful soul to grace,
and for a sorrowful tale a sorry face.
Somewhat easier to understand, don’t you think? Continue reading
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