No new horror can be more terrible than the daily torture of the commonplace.
Ex Oblivione, 1921.
Along with Edgar Rice Burroughs, my teenage reading covered a lot of genres, but I gravitated to scifi and fantasy. Fantasy in those days didn’t offer the same overflowing bookshelves of cookie-cutter tales we find in today’s bookstores. But they took me out of the miseries and difficulties of my little world so easily that I made the effort to find them.
Back then, fantasy was an addendum to the scifi section. You often had to hunt for the rare titles in stores and libraries where there were ample selections in all other genres (this is before the explosion of fantasy literature in the late 60s, when J.R. R. Tolkein’s Ring trilogy exploded into popularity. generating all those thousands of spin-offs.) I can’t recall horror even having its own section.
My reading took a darker turn when I discovered the work of H.P. Lovecraft, in the mid-60s. While I have returned over the years to ERB and many other writers whose works I discovered in the 1960s, I have not until recently re-read any of Lovecraft’s works. But his fiction certainly deserves a re-read because it was seminal for a lot of modern horror fiction and film. And last week I picked up an anthology of his more famous works for that purpose.
For a young teen as I was, Lovecraft was a rude, exciting awakening. What a change from what I had been reading before! In the swords-and-adventure books of Burroughs or the gallant, embattled heroes in the Doc Savage series, or even in Howard’s violent-but-honourable Conan, there was morality, definable good and callous wrong, great deeds and immense challenges to overcome, but evil was always defeated by those of strong heart, iron will and a strong moral sense. In all of these tales, there is some sense of redemption and achievement. There is joy in conquering, in winning the heart’s desire, in love, in battle.
Not so in Lovecraft, not at least in the Lovecraft I recall. He has a lot of despair and loss, terror and anxiety, and the sort of nameless middle-of-the-night terror that makes you wonder what’s under the bed.
And he wrote in sometimes florid prose that today seems rather histrionic, even puerile at times. But although Lovecraft seldom followed any of the rules most practitioners preach today on the art of story writing, he still garnered a huge following despite any literary failings.
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