I recently started reading Malory in the original – that is, the language that Caxton printed in. Not the typeface Caxton used, since that would be harder to read, but rendered in a modern serif face. Caxton initially used black letter type (aka gothic) – pretty much all the early printers used it, although each printer had his own dies and styles. However, he did move … (more–>)
This post is about, and for writers, for reporters and editors, for book authors and editors, magazine editors, feature writers, layout artists, copy editors and anyone who either fancies themselves one of these, or has the curious desire to become one (curious because, at least for freelancers, it often involves spending more money on books than you get in income…). If you aren’t in that company, … (more–>)
Writing has been described as the most significant human invention. We tend to think of inventions as mechanical things, like the wheel, or fire, or the printing press, the airplane, the internal combustion engine or cell phone. But without writing, few of them would exist. Writing allowed us to share the others, to improve them, to record them, to pass them along and record them. Writing … (more–>)
When I was in school, back in the last century, I was taught there were three basic plots in which every story ever written could be classified: Man-vs-man, man-vs-nature and man-vs-himself. That was in the days when it wasn’t politically incorrect to use the word man to mean everyone. Today we’d say it differently, use other pronouns, but the meaning is the same. Three is a … (more–>)
The book has always been a sign of status and refinement; a declaration of self-worth – even for those who hate to read. That’s the lead into a recent piece on Aeon Magazine about book collecting and collectors. It’s also about reading and the snobbery of readers. Fascinating piece. For me, anyway. Pretty much everything about books and reading fascinates me, from the art to the … (more–>)
Recently, coincidental to while I was reading Herman Melville’s classic novel, I read a story that some folks in Vancouver took offence to the name of a restaurant: Moby Dick’s Fish & Chips. Apparently the property overseers mistook the “Dick” in the name for a euphemism for penis, rather than reading the name of the famous novel in the whole title. A wholly puerile response, I’m … (more–>)
I had noticed of late that several websites are more difficult to read, that they opted to use a lighter grey text instead of a more robust black. But it didn’t dawn on me that it wasn’t my aging eyes: this was a trend. That is, until I read an article on Backchannel called “How the Web Became Unreadable.” It’s a good read for anyone interested … (more–>)
An article in the September, 2016, issue of Doctor’s Review looks at the curious, compelling affliction called hypergraphia: the obsessive need to write. I never knew before this that there was an actual illness of this sort. As someone who is often driven by a deep compulsion to write, I am both curious and a little afraid to learn more. And of course, I turned to the internet. … (more–>)
I hadn’t always wanted to read Herodotus. He has a mixed reputation among historians, often cited as an unreliable source, gossip monger or simply as a fantasist. Sure, he’s the “father of history” as Cicero called him (or at least of historical writing) and penned the earliest surviving work of non-fiction, but he often doesn’t get the respect that, say, Thucydides gets for his efforts (dry … (more–>)
On the desk of every writer, every reporter, every editor, every PR director and every communications officer is a small library of reference books. A good dictionary (Oxford, American Heritage, Merriam Webster, Random House but gods forbid, never a generic Webster’s). A thesaurus (likely Roget’s). A style guide (CP for Canadians, or AP for Americans… Canadians likely have both). A dictionary of quotations (because the print … (more–>)
Karen Cheng’s 2005 book, Designing Type, is the third of the recent books on typography I have received*. Of the three, it is the most technical, appealing to the typophile and design geek more than the average reader. But it’s also a reference for layout and graphic artists looking to choose a specific font for a work. If your goal is to actually design a typeface, she … (more–>)
In a recent review of Sarah Hyndman’s book, Why Fonts Matter, I casually commented that, You can no more adequately comment on the relevance and impact on the viewer of, say, Frutiger versus Palatino, without discussing the design and layout in which it is set… The point of which was not to single out those two typefaces as much as to suggest the debate between how … (more–>)
The human brain is truly a remarkable machine.* We can see a bunch of lines and in that same brain turn them into an M and know it’s not a V or an N or a K or W. Yet M isn’t a ‘thing’ – it’s an abstract representation of a sound that itself has no concrete meaning outside the Mmmmm of meditation. When you mentally … (more–>)