Judas, a Biography

Judas kissLong before Darth Vader, long before Lord Voldemort, long before Stephen Harper, Judas Iscariot reigned as the supreme icon of evil in Western mythology. Judas betrayed God. How much worse can you get?*

For 2,000 years we’ve used the term Judas to refer to anyone who betrayed anything, any cause, any belief, any friendship. Yet, like all the icons of evil that came before, and who have followed, Judas holds a fascination for us that transcends his actions.

Dante consigns him to the ninth circle of hell, one of three traitors forever chewed in the mouths of the three-headed Satan. Yet Brutus, Cassius (the other two sinners in Dante’s story), Benedict Arnold, and Vidkun Quisling never achieved such attention or notoriety. They were all were members of their respective inner circles; all betrayed their friends,their beliefs and their leaders. But they are paltry shadows beside Judas.

Perhaps that’s in part because none of the others are religious symbols, and religion far too often brings out the extreme in people.

Susan Gubar’s 2009 book, Judas, a Biography, which I’ve been reading of late, is a fascinating look at the relationship the West has had with Judas these two millennia, and how he appears in art, music, literature, religion and popular culture. Judas has become a reflection of a lot about ourselves: our fears, our religion, our mythologies, our politics, our behaviour.

Many of us have had the deeply disturbing experience of betrayal in our own lives; someone trusted, a friend or lover, someone we cared deeply about who betrayed us. And when that betrayal is over something crass like money or political favour, it cuts us deeply. We never forget, never forgive our own personal Judas.**

But who was Judas that we still use his name for such acts?

The Gospels are spare in their actual history of Judas, even in his final acts. But a whole body of legend has grown up around the man, his family, his parents, his childhood and, of course, his afterlife. All of which, as Gubar points out, is merely imagined; unsubstantiated by any historical documentation, but become part of the mythology. All of it meant to polish his evil sheen, rather than redeem him.

What’s to redeem, you might ask? Well, nothing is ever as simple as it seems.

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The birth and death of privacy

I was in a local grocery store recently and it was my misfortune to enter, and walk most of the same aisles at the same time as a voluble woman shopper. She spent her entire time there on her cell phone. From before she entered, through the time she collected her groceries, went through the cash register, and exited, she did not once stop talking. Loudly.

And it was a very personal, intimate conversation, as I and those in her near vicinity heard. Not intimate as in sexual, but she talked about private and personal issues, about other people, her feelings, her job, and so on. Did I mention she was loud? Loud enough to hear her clearly at the far end of the aisle.

The whole store was her audience. I saw other shoppers looking at her, some staring angrily, but she was oblivious. And that made me wonder if we have, thanks to the swell of new technologies, entirely abandoned the notion of privacy that we have slowly crafted over the past three millennia.

No we haven’t, says Neil M. Richards, a professor of law at Washington University in St. Louis, In 2014, he published a paper on “Four Privacy Myths.” In it, he wrote:

…if we think about privacy as outdated or impossible, our digital revolution may have no rules at all, a result that will disempower all but the most powerful among us… we can no longer think about privacy as merely how much of our lives are completely secret, or about privacy as hiding bad truths from society. How we shape the technologies and data flows will have far-reaching effects for the social structures of the digital societies of the future.

It is possible, I suppose, that the woman on her phone was just an unusually rude and inconsiderate person. But I’ve seen too many similar incidents with other people to believe she is a rare example. It’s not just her lack of cell-phone manners: it was her attitude towards her personal information that caught my attention and made me research the intersection of privacy and technology.

Actually, most of our modern, Western notions of privacy are quite new, many culturally instilled only in the last 150 years. Personal privacy, as we now consider it, was not the norm before the 19th century.  (Aside from sexual privacy, which historically was preserved, but is being eroded by the vast tsunami of online pornography, including celebrity sex tapes and images…). The camera, in the late 19th century, was really the spark that lit the conversation about privacy.

Greg Ferenstein has put together a fascinating history of privacy in 46 images that shows how we developed our idea of having a private space over the ages. It’s quite enlightening.

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Why Do We Make Music?

MusicMusick has Charms to sooth a savage Breast,
To soften Rocks, or bend a knotted Oak.
I’ve read, that things inanimate have mov’d,
And, as with living Souls, have been inform’d,
By Magick Numbers and persuasive Sound.
What then am I? Am I more senseless grown
Than Trees, or Flint? O force of constant Woe!
‘Tis not in Harmony to calm my Griefs.
Anselmo sleeps, and is at Peace; last Night
The silent Tomb receiv’d the good Old King;
He and his Sorrows now are safely lodg’d
Within its cold, but hospitable Bosom.
Why am not I at Peace?

William Congreve (1670 – 1729) in his play, The Mourning Bride (1697).

Why have humans made music from the earliest times of our species? The oldest known bone flute is more than 40,000 years old. But a Neanderthal hyoid bone shows humans could speak 20 millennia before then, and that means they could probably sing, too. Steven Mithen hypothesized just that in his 2004 book, The Singing Neanderthals: The Origins of Music, Language, Mind and Body.

Mithen opens his book with the words, “The propensity to make music is the most mysterious, wonderful, and neglected feature of humankind…” Liisa Ukkola, researcher at the University of Helsinki and Sibelius Academy, said of a recent study on the genetic basis of musical aptitude,

Music is social communication between individuals… music perception and creativity in music are linked to the same phenotypic spectrum of human cognitive social skills, like human bonding and altruism… We have shown for the first time in the molecular level that music perception has an attachment creating impact.

Clearly the urge to make music has been with humans since the beginning. Why, is, of course, open to debate. Wikipedia notes:

Some suggest that the origin of music likely stems from naturally occurring sounds and rhythms. Human music may echo these phenomena using patterns, repetition and tonality. Even today, some cultures have certain instances of their music intending to imitate natural sounds. In some instances, this feature is related to shamanistic beliefs or practice.It may also serve entertainment (game) or practical (luring animals in hunt) functions.

Then it adds, almost as an afterthought:

Music evokes strong emotions and changed states of awareness.

Congreve said it best: Music has charms to sooth a savage breast/To soften rocks, or bend a knotted oak. But emotions are, despite all the study done on them, notoriously difficult to categorize in a way everyone agrees on. Much like music.

I often ponder why music matters, why I feel compelled at times to play, to create, to sing, to listen. Why one song moves me to tears, another to joy, another to dance and yet another to sing along. And why does some music leave me cold and unmoved?

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The Mouse on Mars

No, that’s not the title of a 1960s’ sitcom or a 1950s’ movie. It’s what some conspiracy theorist thinks he found in a NASA photograph taken by the Curiosity Rover on Mars, in late 2014. The story was posted on the IFL Science website this week.

Now, I know what you’re thinking: “Why pay these poor, deluded wingnuts any attention when it’s such an obvious case of pareidolia?”

The answer is because they must be mocked in order to keep their silly gullibility from spreading to the scientifically-challenged. Not everyone who reads their content has your keen, critical eye, your cool common-sense approach, or your rigid scientific background (be it only from high school). Some folks out there beg to be deluded.

Some folks already believe in UFOs, ghosts, witches, homeopathic “remedies,” magic crystals, the NRA, and other codswallop. They are thus easily misled to believe in other nonsense.

You cannot argue with the conspiracists scientifically because that just drives them deeper into their holes where they retrench. Satire and ridicule, however, often prove more effective in keeping other gullible fools from joining them. Besides, you have to admit it’s hard not to laugh. A mouse on Mars? Chortle…

And this isn’t the only nutty thing this particular wingnut said he has “found” on Mars by looking at NASA’s images. Included in the list are a “chimp skull”, ziggurat, huge pyramid, buildings and building complexes, statue head, a Sphinx statue, a marina with shipwrecks, a blade in a jawbone, a rib bone, a femur, a saucer, a “gun camera”…

But wait, it gets better. He’s also “discovered” buildings and proof of alien life on the moon, Ceres, Comet 67P, Pluto – pretty much everywhere offworld we’ve sent vehicles, no matter how arid, inhospitable or simply daft it is (alien buildings on a comet? sheesh…).

YouTube is littered with videos purporting to be all sorts of alien structures on planets, asteroids and comets that some government agency is trying to conceal from you. And then there are the thousands of true believer websites that cater to the wingnuts (often in ways to retrieve money from their gullibility).

And just when you thought a mouse was the height of silliness, someone claims to have found a monkey on Mars. So that’s what happened to Justin Beiber’s pet….oh, well, it’s in The Express, and that paper has less credibility than a local blogger….

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Climate Change and Collingwood

Climate changeClimate change is arguably the single most pressing, most important, most challenging issue to affect governments at this time. Our world is suffering and weather is getting extreme in many parts. It’s affecting crops, wildlife, safety, water… everything.

But what are Canadian municipalities doing to combat it, to reign in their use of fossil fuels, reduce their carbon footprint, reduce emissions, pollution, and embrace alternate energy systems?

Not much, according to a study done by the Ontario Coalition for Sustainable Infrastructure. OCSI’s 2014 report, “When the Bough Breaks” has some discouraging statistics. According to their survey, only 38% of Ontario municipalities are “incorporating climate change into their asset management planning.” Climate change was a priority in only 13% of municipalities.

Scarier is that, when given a list of relevant activities to choose from, 22% of respondents admitted their municipality was doing nothing to address climate change impacts. Nothing. A fifth of our municipalities aren’t even preparing themselves for catastrophic or severe weather.

In 2008, Collingwood’s now-forgotten Sustainable Community Plan report had this to say:

Over the next forty years, the Town of Collingwood is expected to experience local forces of change such as unprecedented population growth and changing demographic and global forces of change such as rising commodity prices and climate change… Over the next 40 years, climate change may impact the topography, water supply, water levels and climate in Collingwood, and around the world.

The plan went on to address ways Collingwood might act to create a more sustainable, environmentally-friendly community that helped reduce the human impact on climate change. Some, but far from all, of these ideas were incorporated in later town initiatives.

Since then, there have been many initiatives to deal with climate effects implemented by municipalities worldwide (especially to mitigate the threat to municipal infrastructure), and there are whole new trends in areas like stormwater management that have developed and are being shared.

But what has Collingwood done since that report? Not much, if anything.

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