While there are parallels between them, there is no direct, simple comparison between the original, British mini series, House of Cards, and the American series of the same name. The latter, aired 13 years after the original, owes much of its first-season content to the BBC’s production, but it quickly went its own way. Like its contemporary, The Bridge, the American version took on a life of its own – and a very distinct, American character – and can’t be considered a simple adaptation. Both are excellent shows.
In part, the vast differences between American and British political systems compound the problem of comparison and understanding.
Canadians, on the other hand, will easily understand the machinations of the characters in the British show because our system is quite similar, but they are more opaque in the American version. From the outside, American politics seem designed to increase confrontation and partisanship. And political venality (it seems all American politicians and votes are for sale to the highest bidder…), but that’s not my point here. Americans might find the British version equally incomprehensible.
We finished watching season three of the American series recently and began to watch the British series again, after several years hiatus (it remains one of my favourite series). The latter is somewhat dated – aired before the internet and cell phones – but still well worth watching: the acting is superb. As are in most British series. But the cast in the American House of Cards is, for the most part, among the best I’ve seen in an American series (Kevin Spacey excels).
The British version has more humour, albeit dry, wry wit. It might be best described as either a political satire or dark comedy. I’m not sure everyone will appreciate its subtlety.
The American series has some of this in the first season, but less as it progresses. It’s more of a drama-cum-soap opera with less satire. Underwood speaks to the camera a lot more in the first season than in later ones. And that’s too bad because I think it adds to the viewer’s engagement.
The main characters – Francis Urquhart in the British (Ian Richardson), and Frank Underwood (Kevin Spacey) in the American – are very different in style and behaviour. Urquhart speaks more to the camera than Underwood, and offers more knowing, sly glances and smiles than his American counterpart. Underwood is far more about raw power; the underlying tongue-in-cheek attitude of the British politicians is absent.
The roles and the power associated with each leader is very different, too. Urquhart has to be more cunning than Underwood because his system is very different from the American. Underwood can sometimes batter his way through to success, where Urquhart has to squirm.