Although I have read many biographies of the European dictators, and many histories of Europe and the Americas in the first half of the 20th century, I hadn’t read much about modern China until recently. Mao: The Unknown Story (by Jung Chang and Jon Halliday) was the first full-length biography I’ve read about Mao Tse Tung (Mao Zedong) and it is a remarkable work about a time and place in history that remains veiled to most of us even today.
Mao’s rise to power and his leadership that won the Communist Party its iron-fisted rule in China has often been portrayed as one of courage, sacrifice, determination and brilliance. Western journalists like Edgar Snow helped make Mao a sympathetic, even heroic character in Western eyes. But it was a sham. Snow was fooled into creating an image by being fed carefully doctored material. Mao’s image in the west was whitewashed in an effective propaganda campaign (one is reminded of the story of the Potemkin villages…).
According to Chang and Halliday, Mao’s life and political career has more in common with that of Josef Stalin than any other political leaders. He was, they write, a monster, responsible for the deaths of at least 70 million Chinese,more than any other international leader (I have read claims for higher figures about Stalin, however), mostly during the catastrophic “Great Leap Forward.”
I have to admit I struggled a bit trying to keep track of a host of characters with whom I had no familiarity, especially those who appear at the start of Mao’s career and don’t last its length. Of the roster of Mao’s friends and foes who appear later, I only really knew from my previous reading about Chou En Lai, Liu Shaoqi and Lin Biao; and not really all that much about them.
I knew a little more about Jiang Qing, of course, because Madame Mao got Western media coverage when the Gang of Four fell from grace after Mao’s death. Most of my previous reading on China has been about its classical philosophers and poets. I knew more about Li Po, Tu Fu and Lao Tzi than about Mao and his minions. But I am trying to educate myself in China’s modern history.
Reading about Mao’s “Cultural Revolution” in this book, I thought about several Western novels: Orwell’s 1984, Bradbury’s Fahrenheit 451 and Golding’s Lord of the Flies, all of which have some resonance. I also thought about Jan Wong’s excellent biography, Red China Blues, in which she found her youthful idealism for Mao’s China dissolved in the hypocrisy she discovered when she went to live there.