Tonight’s book-with-wine discussion is about Vasily Grossman‘s novel, Everything Flows (New York Review Book, USA, 2009). It was his final work, and left unfinished at the time of his death, in 1964.
It’s not a difficult read, only 250 pages, but it isn’t easy. Readers unfamiliar with Soviet history, particularly the Stalin era, will not understand much of it. And it’s hardly a cheerful work. Not that everything Russian is a slit-your-wrist work, but it’s certainly Dostoevsky-like in its darkness.
Grossman was a Soviet war correspondent during WWII and travelled with the Red Army through Moscow, Stalingrad, Kursk then into Eastern Europe, and finally Germany, where he covered the Battle for Berlin. He was the top war correspondent of the USSR and his articles were collected and translated in a 2006 book, A Writer at War. His pieces offer a very personal look at a side of the war we usually know more from military and official sources.
His mother was murdered by the Nazis in 1941, as they blitzed across the Ukraine. As a Jew, Grossman suffered Soviet racism and prejudices, increasing in the late 1940s as Stalin grew more paranoid and anti-Semitic. His artistic views were also molded by his war experiences and his ability to see the people in the carnage. He was among the first to see Treblinka and was one of the earliest to chronicle the Holocaust.
He was a good reporter and became a good novelist. He wrote honestly about what few of his contemporaries have dared write: life in Soviet Russia; the life of individuals slogging through an unrelenting system they didn’t fully understand, about their core of human will to survive. Honest, moving stuff. And for that he would become persona non grata, one among many artists whose work displeased the State.
After the war, he wrote two novels, both about the war: For a Just Cause (1952) and Life and Fate. The former was a fairly standard work for its day and was published. The latter has been compared to a modern War and Peace – it is huge, sweeping and complex. But because it was also critical of the Soviet government, and exposed some of the army’s atrocities as it advanced into enemy territory, it was too explosive for the then-Soviet censors (and the party’s chief ideologue, Mikhail Suslov). The government had it banned. Life and Fate would not be published until 1980, after his death.
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