“But for a few touches of commonplace sentimentality [it] would be a classic of the first water.” So said H. P. Lovecraft of the 1908 novel, The House on the Borderland, by William Hope Hodgson. But, Lovecraft admitted, the book was also a major influence on his own, later work. And for good reason: it created the ‘unknown horror’ effect that Lovecraft (and later writers) exploited so well.
House on the Borderland is a seminal work in its genre and, despite its age, deserves not to be forgotten by modern readers. Here’s a passage from the book:
And then, as I peered, curiously, a new terror came to me; for away up among the dim peaks to my right, I had descried a vast shape of blackness, giantlike. It grew upon my sight. It had an enormous equine head, with gigantic ears, and seemed to peer steadfastly down into the arena. There was that about the pose that gave me the impression of an eternal watchfulness—of having warded that dismal place, through unknown eternities. Slowly, the monster became plainer to me; and then, suddenly, my gaze sprang from it to something further off and higher among the crags. For a long minute, I gazed, fearfully. I was strangely conscious of something not altogether unfamiliar—as though something stirred in the back of my mind. The thing was black, and had four grotesque arms. The features showed indistinctly, ’round the neck, I made out several light-colored objects. Slowly, the details came to me, and I realized, coldly, that they were skulls. Further down the body was another circling belt, showing less dark against the black trunk. Then, even as I puzzled to know what the thing was, a memory slid into my mind, and straightway, I knew that I was looking at a monstrous representation of Kali, the Hindu goddess of death.
You can read or download a copy at Gutenberg.org. It’s not very long – just over 50,000 words, and is a fairly quick read.
Hodgson – whose 140th birthday was celebrated by fans last November (the 100th anniversary of his death is in April, 2018) – was prolific in his lifetime, but is an almost-forgotten figure these days. Only two of his novels – the other being The Night Land (1912) – got any significant attention or popular reprints for many decades after his death. Thanks to the internet, digital files and the magic of on-demand publishing, a lot of his work is available online; five of his novels are now downloadable from Gutenberg. And this slowly growing popularity has seen a few publishers reprinting many (maybe even all) of his works.
While still in the shadows compared to other writers, he is read today by fans of classic horror and early scifi. But he’s not anywhere near a popular writer. In part that may be because better, subsequent writers like Lovecraft, Lord Dunsany and Edgar Rice Burroughs captured (and continue to capture) the public’s imagination. Plus, they wrote about the modern, post-war world: with radio, cars, telephones, movies, steamships and the like. They are easier, I suspect, for modern readers to comprehend than those from the Edwardian era.
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