A series of ten Buddhist drawings make up what are known collectively as the Ten Oxherding Pictures or sometimes just as the Ten Bulls. Each one graphically illustrates a stage along the path to enlightenment or self-realization, but they can also be seen as a metaphor for a wider range of human development and growth. (they are not, as Lifecoach screams ungrammatically but histrionically in its headline, “The 10 Secret ZEN Steps Straight To ENLIGHTENMENT!” There is no secret about them, and they are not steps but metaphors for steps.)
I was given a paperback copy of the book in the late 1960s by the Buddhist owner of a farm in BC where I briefly stayed during one of my peripatetic explorations of Canada. I managed to hang onto that copy all these years and all the miles in between and I have read it several times since I first received it. That copy still sits on my bookshelf, well read and well worn, one of a very rare few that survived my travels and my frequent changes in interests.
In fact, Buddhism — or perhaps more correctly it would be Buddhist ethics — has been one of the few things I have been relatively constant with in my studies, something I still read and learn about. And attempt in my humble way to practice. (I lean towards the Zen-like North American Buddhism rather than the schools that still include supernatural aspects and elements (Tibetan, for example), although all share common themes in ethics and morality.)
The Ten Bulls has long been a particular favourite of expression for me, both artistically and as a metaphor. At any point in our lives, if you think about your progress in whatever it is you are doing, whatever goal you pursue, we can all identify with every image, every stage. That’s why this series has such a universal appeal. It can be read in reference to, say, learning a musical instrument (“In his song “Ballad of the Absent Mare,” Cohen interprets the Ten Oxherding Pictures through the eyes of a western cowboy balladeer… singer-songwriter Cat Stevens made reference to the Ten Oxherding Pictures in the title of his album Catch a Bull at Four.” See here for more.). Or writing a novel. Or accomplishing a fitness goal. Even financial accomplishments have been paired.
You can also read the series as a political metaphor: chasing the bull(shit) of modern politics (see Herding facts and their alternatives in a post-truth-era). Even without the scatological reference, politics is itself a learning experience (at least for those in it who care about more than themselves) with stages of growth that can be represented by these images.
But don’t be fooled into believing that each image is an isolated step like some sort of enlightenment hopscotch: each is rather a snapshot of a progression, or as one writer puts it, the “…action unfolds in poetic leaps that cross over several stages. The leaps from one stage to another are driven by the ongoing interaction between subject and object, which is captured poetically rather than logically.”