08/31/14

Sex, violence and TV shows


We just finished watching the third season of Game of Thrones on DVD this past weekend. Before that, we watched The White Queen, another DVD series (one season only, although it deserved more).

As we watched both, I found myself wondering why directors and producers felt the need to insert gratuitous – but apparently obligatory – explicit scenes of sex and violence that really had little to do with either plot or character development.

The same questions arose when I watched Deadwood, The Sopranos, First Blood and Boardwalk Empire. Personally, I found these explicit bits distracting, like commercials, because they drew attention away from the story and characters.

I had a notion that the writers ran out of ideas at these points and instead threw in a bit of sex or violence, hoping the audience wouldn’t notice the paucity of the writing.

Why do both need to be so graphic? Can’t the same effect be accomplished by suggestion, by clever camera indirection? Do we need spurting blood and genital closeups to make a scene seem real or effective? Can’t a good director or cinematographer convey these emotions through suggestion, shadow and impression?

Do we need to have full-frontal nudity to convey a sense of the erotic? Or has pornography dulled our senses to the point where anything less doesn’t capture our attention? Why do we need sex and violence instead of story? Because we, collectively, haven’t got the attention span of gnats and our emotions are reduced to biological urges?

Or is it a generational thing? Am I just being old fashioned and curmudgeonly? Maybe, but I’ll keep my reserve, thank you.

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06/10/14

The Hollow Crown


Wikipedia image

Richard II, the first English king of whom we have a real portrait, not just a stylized one.

I’ve watched three of the four productions in the 2012 TV series, The Hollow Crown, this past week, and am greatly impressed by the productions and the acting. Wonderful, rich stuff.

The series consists of the second Shakespeare tetralogy, the Henriad: Richard II; Henry IV parts 1 and 2, and Henry V, each roughly two hours long.  I expect to see the last remaining one this week. (N.B. A new production of the first tetralogy, The Hollow Crown II, is in the works this year).

There’s a bit of an irony in the tetralogy’s name: Henriad, because Henry doesn’t appear at all in Richard II: he is only mentioned in a offside mention by Henry Bolingbroke, his father and newly-crowned king, at the end of the play. He’s  a major but not the main character in Henry IV P1 and P2 – rather Prince Hal shares the stage with Falstaff, Hotspur,his father, and in Part 2, his brother John of Lancaster. Plus the various rebels have their time on stage. It isn’t until the final play that he comes into his own.

One can never get too much Shakespeare in one’s life, and this series feeds my need for film versions that of late has been sadly lacking.* Of course I read the plays frequently – at least one a year, as well as books about the plays and the Bard – but a good film production can be so much more powerful, more engaging. And who, really, doesn’t love Shakespeare?

Shakespeare one gets acquainted with without knowing how. It is a part of an Englishman’s constitution. No doubt one is familiar with Shakespeare in a degree, from one’s earliest years. His celebrated passages are quoted by every body; they are in half the books we open and we all talk Shakespeare, use his similes, and describe with his descriptions.
Jane Austen, Mansfield Park, 1814

Every production of the Bard is, by necessity, both an interpretation and a compromise. Few of the plays fit comfortably within the time constraints imposed by TV (and dwindling viewer attention spans), so they are often abbreviated to fit the usual two-hour comfort zone for movies. That means some dialogue, some scenes, some subplots must be cut. Visual effects often replace dialogue or at least embellish a scene so less verbiage is needed, especially in action scenes.

And then there are the many ways a director chooses to portray the characters, the scenery, the secondary characters. Is the lead a villain or misunderstood hero? Was the line said in anger or in jest? Is it irony or ignorance? Is the audience expected to be sympathetic or angry at the character? Is the king strong or infirm? Is he bold or indecisive? Often the characters lend themselves to a range of portrayals.

Sometimes it works, sometimes it doesn’t. Each production is in itself a work of art that has a unique relationship to Shakespeare. So it is with The Hollow Crown; the story of the beginning of the War of the Roses when the Plantagenets split into the competing houses of York and Lancaster, which vied for power and the throne.

At least that’s Shakespeare’s view and if modern historians disagree, his version at least makes for great drama. The result, however, is incontestably one of the greatest collections of Shakespeare on film.

If there is any flaw, it lies in the audio, which is sometimes less than clear, especially in crowd scenes (and the often thick accents – likely authentic to Shakespeare’s audience, but ahistorical for the era – may obfuscate some dialogue for the non-native viewer). Still, the stories are rich, the characters deep and well-fleshed, and the sets make the audience feel as if they were there, not in some stylized set pieces.

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03/2/14

Reading: A Canadian tragedy… or not?


World Reading Map
The map above might show the making of a serious tragedy for Western and especially Canadian culture. It indicates in colour which nations read the most. Yellow is the second lowest group. Canada is coloured yellow.

TV zombiesIn this survey, Canada ranks 10th – from the bottom! Twenty countries above us have populations which, on the average, read more per week than we do. That surprises and shocks me. And it disappoints me no end.

I’m not only a voracious reader, I’m passionate about books, language, reading and writing, and have been on the library board for 20 years actively helping it grow and develop. Is it a futile task?

I don’t believe so. In fact, I’ve seen the library grow more and more into a vital community resource in the past two decades. It has more users, more books and more reads than ever. That flies in the face of what the map suggests.

The map showed up on Facebook via Gizmodo, The stats come from the NOP World Culture Score (TM) Index (press release here). They’re scary – but are they accurate? They’re certainly not recent: the data were collected between December 2004 and February 2005.

Here are the 30 countries, ranked by the number of hours people there read every week:

  1. India — 10 hours, 42 minutes
  2. Thailand — 9:24
  3. China — 8:00
  4. Philippines — 7:36
  5. Egypt — 7:30
  6. Czech Republic — 7:24
  7. Russia — 7:06
  8. Sweden — 6:54
  9. France — 6:54
  10. Hungary — 6:48
  11. Saudi Arabia — 6:48
  12. Hong Kong — 6:42
  13. Poland — 6:30
  14. Venezuela — 6:24
  15. South Africa — 6:18
  16. Australia — 6:18
  17. Indonesia — 6:00
  18. Argentina — 5:54
  19. Turkey — 5:54
  20. Spain — 5:48
  21. Canada — 5:48
  22. Germany — 5:42
  23. USA — 5:42
  24. Italy — 5:36
  25. Mexico — 5:30
  26. U.K. — 5:18
  27. Brazil — 5:12
  28. Taiwan — 5:00
  29. Japan — 4:06
  30. Korea — 3:06

Canada is listed well below the global average of 6.5 hours a week. Five-point-four-eight hours translates into a mere 49 minutes a day, on average. Are we losing our minds to TV?

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10/27/13

Anti-Intellectualism: The New Elitism


Anti-intellectualismThere’s a growing – and disturbing – trend in modern culture: anti-intellectual elitism. The dismissal of art, science, culture, philosophy, of rhetoric and debate, of literature and poetry, and their replacement by entertainment, spectacle, self-righteous self ignorance, and deliberate gullibility. These are usually followed by vituperative ridicule and angry caterwauling when anyone challenges the populist ideals or ideologies.

As if having a brain, as if having any aspirations to culture, to art, to learning – or worse, to science – was an evil, malicious thing that must be stomped upon. As if the literati were plotting world domination by quoting Shakespeare or Chaucer. Or Carl Sagan, Charles Darwin, Richard Dawkins.

“The mind of this country, taught to aim at low objects, eats upon itself.”
Ralph Waldo Emerson, oration to the Phi Beta Kappa Society Cambridge, August 31, 1837.

Anti-intellectualism isn’t new – Richard Hofstadter wrote about it in 1963 – but it has become highly visible on the internet where pseudoscience and conspiracy theories have developed unchallenged into popular anti-science and anti-rationalist countercultures, many followed and accepted by millions.

Hofstadter wrote,

Anti-intellectualism is a resentment and suspicion of the life of the mind and of those who are considered to represent it, and a disposition constantly to minimize the value of that life.

He warned in his book that intellectualism was “on the run” in America. It still is.*

Just look at the superstitious Jenny-McCarthyites who fear vaccinations with the same religious fervour medieval peasants feared black cats crossing their paths. Or the muddle-headed practitioners and followers of homeopathy. The chemtrail conspiracists. The anti-wind turbine and the anti-fluoride crowd. Any Scientologist. Or any religious fundamentalist. The list of true believers in the anti-intellectual crowd is huge.

Online technology didn’t create these mythologies, or the gullibility of their followers, but the internet is the great equalizer and the great popularizer. It’s not making us smarter; in fact, it may be dumbing down a lot of folks. That’s because anyone, anywhere, can have his or her say and there’s no way to easily discern the intellectual wheat from the. abundant chaff without doing some hard thinking and analysis.

Technology has created the sense of entitlement that every comment, every opinion is of equal value, regardless of the context and the person making that comment. It’s the ultimate democratizer. But it’s a democracy where communication is reduced to the lowest level: the instant, the brief and the angry retort.

Facebook and Twitter don’t have categories that identify posters as more relevant or more important than others. If the prime minister posts on Facebook, he doesn’t get a gold box around his post that says he’s in charge of the country. If Stephen Hawking weighs into a Facebook debate about the nature of the space-time continuum, he doesn’t get a special icon that lets people know he owns this conversation.***

All messages we post have the same weight, the same gravity. There’s nothing to identify any post as more informed, as factually correct or even relevant. So it becomes easy to derail a discussion by spurious claims and allegations, but innuendo, lies or simply confrontational language.

We’re all equally important on the internet. One person’s belief in magic, superstition or conspiracies gets the same opportunity to be heard and seen as those about science and empirical fact. In the online land of the blind, the one-eyed man has no special significance.

Facebook image

We’re creating a world of dummies. Angry dummies who feel they have the right, the authority and the need not only to comment on everything, but to make sure their voice is heard above the rest, and to drag down any opposing views through personal attacks, loud repetition and confrontation.

When they can’t respond with an intellectual counterargument – as is often the case – the anti-intellectuals respond with the ideology of their peer group (see the religious content of the message in the image taken from Facebook on the left) or ad hominem attacks. Name calling. Belittling and demeaning the opponent.

Bill Keller, writing in the New York Times, said,

The Web culture is simultaneously elitist and anti-authoritarian…

But it’s not an elitism of wisdom, education, experience or knowledge. The new elite are the angry posters, those who can shout loudest and more often, a clique of bullies and malcontents baying together like dogs cornering a fox. Too often it’s a combined elite of the anti-intellectuals and the conspiracy followers – not those who can voice the most cogent, most coherent response.

Together they ferment a rabid culture of anti-rationalism where every fact is suspect; every shadow holds a secret conspiracy. Rational thought is the enemy. Critical thinking is the devil’s tool.

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11/19/12

Ten Lessons Learned From the Petraeus Affair


Sex scandal cartoonAfter watching the recent, exaggerated – and sordid – upheaval over the story about an extramarital affair that the (now former) head of the CIA had with his biographer, I have come to several conclusions about America, sex, American media and publicity:

1. Americans, who bought millions of copies of “Fifty Shades of Grey“, a poorly-written, highly derivative, pornographic book, and then turned it into a national industry that includes home parties where BDSM equipment is sold to housewives, and dozens of spin-off blogs based on the book, are easily offended by “racy” emails between consenting adults.

2. Americans, who consume a vast quantity of online pornography, and who turned the porn industry from a back-alley business into a multi-billion-dollar business, are offended when real, consenting adults outside of the sex trade, have ordinary sex. And, of course, get caught.

3. Americans, who elevate mediocre and untalented stars, starlets (like Pam Anderson) and wannabes (“socialites” like Paris Hilton) to exalted popular status when they make an explicit video recording of themselves having sex and then ensure it gets broadcast all over the Internet for millions to view, are offended when consenting adults have sex and don’t make a sex tape for the public to watch.

4. Americans, who revel in graphic sex scenes and nudity in their TV shows (i.e. True Blood) and  have made entire TV series based on sex and adultery (i.e. Sex in the City), condemn extramarital sex between consenting adults as a “scandal” in their TV news and in other media. (When exactly is a news story a scandal? See here.)

5. A sexual liaison between consenting adults can become headline news for weeks, even though it has no proven effect on national security, has no proven effect on the business of the state, is not a criminal matter – but is simply a private matter between the parties involved. Meanwhile, Americans avoid real news stories and have no idea what’s happening in the world. Few American media outlets seem either willing or able to rise above the tabloid-style headline. As Saskboy writes:

The American media is very primitive, which is why it avoids complex and important issues, and instead resorts to tabloid topics like sex scandals. While their country is embroiled in an unprovoked war in Iraq, occupies Afghanistan (along with Canada), and itches to bomb Iran for oil, they’re worried more about where the wiener Petraeus has been.

6. Sex is still a potent weapon for partisan battles in politics. Republicans will try to use anything they can to hurt the Democrats and especially president Obama, by blaming them for the scandal or worse – trying to impeach him.

Republicans have quickly shifted from licking their election defeat wounds to trying to tie the David Petraeus’ affair to Benghazi in order to impeach President Obama…

After losing elections, paranoid conspiracy theories are Republican comfort food used to soothe the fractured psyche of those who got a taste of what ‘Real America’ actually thinks of them. If anyone thought the GOP rank and file would learn any lessons from their latest defeat, think again.

7. Americans love sex scandal, and revel in making it into public entertainment. They will glorify the ‘scandal’ by turning a rather mediocre affair into a glitzy Hollywood drama to elevate the titillation level.

The hormone-charged hijinks have now spread to include military groupie and Tampa socialite, Jill Kelley, who blew the whistle on the marriage-breaking manoeuvres and the current warlord of the Afghan campaign, Gen. John Allen.

But who to cast in the leading roles? Here are our picks: Denzel Washington as President Barack Obama; William H. Macy as Petraeus; Demi Moore as Broadwell; Teri Hatcher as Kelley; Jack Nicholson as Gen. Allen; Vin Diesel as FBI Agent Frederick Humphries, and the Sopranos Steve Schirripa as Kelley’s cuckolded hubby, Scott Kelley.

8. The American government and media have screamed loudly about the exposure of their government documents to public scrutiny on Wikileaks, and demanded that the site’s owner, Julian Assange, be tried for treason. Yet the same media and government officials revel in exposing the sexual peccadilloes and personal lives of consenting adults caught in an affair.

9. Americans have always loved sexual scandal. As the Constitution Daily reports, this sort of event have captivated American audiences ever since the nation was first formed:

The current sex scandal involving the C.I.A., the F.B.I., the military, and possibly several private citizens isn’t the first in Washington, but it has some things in common with the huge scandal that hit Alexander Hamilton more than 200 years ago. The Maria Reynolds affair was the David Petraeus-Paula Broadwell-John Allen triangle of its day in the 1790s, with its admission of adultery, scandalous mail exchanges, and a high-profile resignation.

Political cartoon10. Nothing is ever secret online, no matter how you try to hide it. A nation that voluntarily and eagerly gives up its privacy online, and will post revealing details and even photos about its private life and body parts, is apparently shocked when private details of an affair between consenting adults are made public. Obviously had Petraeus posted the details and videos online, he would have become a media star.

It’s amusing that in late 2010, one political site was wondering aloud if sex scandal was dead as a political weapon or would hold media attention:

Perhaps in America the road to forgiveness is simply becoming shorter. Maybe, people are seeing what many in other countries have seen for years –the political sex scandal may change the conversation, but doesn’t by any means change the game.

However, as The Onion wrote satirically, this silliness may have opened some Americans’ eyes to some of the real news they’ve been avoiding while googling the salacious news about Petraeus:

WASHINGTON—As they scoured the Internet for more juicy details about former CIA director David Petraeus’ affair with biographer Paula Broadwell, Americans were reportedly horrified today upon learning that a protracted, bloody war involving U.S. forces is currently raging in the nation of Afghanistan. “Oh my God, this is terrible,” Allie Lipscomb, 29, said after accidentally stumbling on an article about the war while she tried to ascertain details about what specific sexual acts Petraeus and Broadwell might have engaged in. “According to this, 2,000 American troops have died, 18,000 have been wounded, and more than 20,000 civilians have been killed. Jesus Christ. And it’s been happening for, like, 11 years.” Sources confirmed that after reading a few paragraphs about the brutal war, the nation quickly became distracted by a headline about Elmo puppeteer Kevin Clash’s alleged sexual abuse of a 16-year-old boy.

The long run? America’s attention span for real news – Gaza, Syria, the Fiscal Cliff, pollution, GMO foods, the environment, Iran, Afghanistan, Iraq, the Congo, and on and on -.is that of a gnat’s. But a sex scandal appeals to American’s mixed-message attitudes about sex – part smut, part puritan, all agog – and will capture American audiences for weeks and weeks, at least until another scandal takes over the headlines.

PS. Here’s a fun infographic on adultery from the National Post.

11/13/12

Work and time slip by unnoticed


Red Queen's RaceYou’d think being semi-retired (or as I call it, creatively unemployed) would give me more time to do the things I like to do, more time to be creative.

Nah. Things seem to intervene to prevent a focused approach on creativity these days. Not to mention that my Rogers internet crashed for a couple of days because their servers couldn’t keep my IP constant, so I was cast adrift from my virtual life and back into the depths of the printed work – poking through the mini-library upstairs.

Most of yesterday was spent cleaning and reloading files after my blueagaveforum.com site got hacked. Two hours wasted on the phone trying to get some advice from Norton tech service, which ended up with one of their techies resetting my browser setup, which required another 30-45 minutes of tinkering to get it working as I had before. Meanwhile I was searching through hundreds of PHP files for the source of the malicious code. At the end of the day I was back to where I had been last week.

The Red Queen’s Race: you run as fast as you can in order to stay in the same place.

On the plus side, I get to listen to a lot more CBC Radio during the day. That’s good and bad. Bad because I get distracted by some of CBC’s superb content and turn my attention to the radio and away from my writing. Some days I just have to shut it off to get anything done, although I try to hear at least the hourly news. Good because CBC always expands my horizons and often challenges my intellect (one day I’ll have to blog on how CBC is the acausal connecting principle that binds Canada, a bit like Jung’s synchronicity).

I should – or could, if I focused – be doing serious things like posting on my blog. Work on my next book for Municipal World. Working on my novel. Updating my websites. Researching, reading, walking the dog. Exercising. Practicing the ukulele. Working on my photography. Grooming the dog. Practicing the bass. Okay, painting the hallway, too.

Instead, time seems to get fragmented and I end up doing a bit of this, a bit of that, rather than doing any one thing. I sometimes start blog pieces or articles based on good ideas, but they slide away unfinished when I turn my attention to something else.

Yes, I managed to write three books this past year (and get two published, the third still waiting), and have a fourth started, as well as 30,000 words into a novel. But I’ve slowed down quite a bit since

Wasting timeAt least I haven’t fallen into the trap of TV watching. I don’t play many computer games these days, either, and usually only in a desultory manner (computer games don’t seem to engage me like they did a while back, although I play a few rather lackluster games of Go and chess on the iPad now and then). Nor have I sunk to doodling, filling in crossword and sudoku puzzles or taking afternoon naps. Yet.

Maybe I need to schedule my time better. Set aside blocks to exercise, to write, to read… But then I get distracted by writing something pointless like this… *sigh*… back to work…