Literature, culture, fiction, non-fiction, writers, authors and the craft of writing.
There’s a passage from the novel The Elegance of the Hedgehog (by Muriel Barbery, Europa Editions, 2008, p. 116-117) that so delighted me when I came across it that I read it aloud to Susan: “Mildly hemorrhagic urine” is, to me, a form of light entertainment: it has a nice ring to it and evokes a singular world, a brief refreshing change from literature. For the … (more–>)
Unless you’re an academic who has studied The Bard for your entire career, you really need a guide, a Virgil if you will, to enter the dark forest of Shakespeare and find your way about in it. At the very least, you’ll want a guide to Shakespeare’s language and wordplay to illuminate the texts. Fortunately, there are plenty of guides to be had in the printed … (more–>)
A good book of selected quotations from Shakespeare is a nice complement to the collected works. Properly arranged, it lets you find relevant aphorisms, and speeches on a wide variety of topics; bon mots you can drop into conversations, emails, and blog posts. As is my wont, I have collected several of these books, and herein are my opinions of them. Note that there may be … (more–>)
Wonderful thing, the internet. You can type “complete works reading list Shakespeare” into a search engine and come up with dozens of lists with a recommended order for reading The Bard’s plays and poems over the period of a year. And none of them the same or seemingly made with the same logic. But, it seems, many have taken up the challenge. In almost no time, … (more–>)
When the Arden Shakespeare: Complete Works arrived this week (an early birthday gift from my wife who might have wanted to hide it until the actual date… oops… I saw the postie arrive…), I thought it might be time to put together a spreadsheet identifying some of the key differences between the various versions of the “complete works” in my library, and among those other editions … (more–>)
When the First Folio was published in 1623, it had 36 of the Bard’s plays, listed in three categories: histories, tragedies, and comedies (it didn’t include his longer poems, or the sonnets)*. And even then, these were not all of his plays. Several were not included, although they were known to the folio’s compilers. For reasons unknown, there were several plays missing from the original canon, … (more–>)
I’ve always liked reading “wisdom tales”; I still read and delight in those Zen Buddhist stories that Paul Reps recounted in his book, Zen Flesh, Zen Bones, which I first encountered in the late 1960s. Not long after that, I discovered the many tales of the Mulla Nasrudin retold by Idries Shah, and the stories of the Wise Men of Chelm, the imaginary city of fools … (more–>)
Montaigne’s essay On Cannibals contributed at least some of the content and ideas in Shakespeare’s late play, The Tempest. A speech by the recently-shipwrecked counsellor Gonzalo in Act 2, Sc.1 about creating a utopian community on the island is lifted almost word-for-word from this essay.* Montaigne’s other essays might have added to other of The Bard’s plays as well, although we can’t be sure when he … (more–>)
When the clock struck three in Julius Caesar, you probably scratched your head, knowing that striking clocks didn’t exist two millennia ago in the play’s setting. In Caesar’s time, people checked sundials or water clocks (clepsydra), neither of which — inconveniently for the Bard — chimed. It would be almost 1,300 years after Caesar that the first “weight-driven mechanical clock was recorded in England” (in1283). It’s … (more–>)
It’s a common theme in today’s political analysis to argue that Donald Trump broke America. Looking at the ongoing dumpster fire that is the Repugnican Party, the rise of white supremacists, neo-Nazis, anti-science, pro-disease, misogynist, pseudo-religious, and anti-justice groups into the centre of the party’s power seems clear evidence of Trump’s deleterious effect on both the party and democracy. It’s difficult to argue convincingly America isn’t … (more–>)
Prospero’s words in Shakespeare’s play, The Tempest, have long been thought to have been Shakespeare’s own goodbye to the theatrical world, assuming, of course, you are reading the play or at least these speeches as autobiographical. After all, The Tempest was the last play The Bard wrote by himself. He did, of course, work in collaboration for at least two more plays (Pericles and All is … (more–>)
British philosopher John Gray thinks cats can “often teach us much more about living the good life than philosophy ever could.” As a lifetime cat owner, I can vouch for cats serving as metaphors for all sorts of things, but not usually as philosophers outside some children’s books. That statement intrigued me because my prior association with cats and philosophers had been mostly limited to Michel … (more–>)
The Complete Pelican Shakespeare (edited by Stephen Orgel and A. R. Braunmuller, Penguin Books, 2002) has a short but insightful essay on the texts of Shakespeare that illustrates the choices editors have made when dealing with the texts they want to present their version to the public. It uses a single, well-known verse from Romeo and Juliet (Act 2, Sc.2, lines 40-44 in the Pelican and … (more–>)
The “authorship question” — who wrote Shakespeare’s works, aside that is, from Shakespeare himself — is a conspiracy that seems a metaphor for modern society. It contains the seeds of many popular conspiracies within it: pseudoscience, suspicions about authority, declarations of revelation, blind faith, angry defences, opinions and interpretations, Youtube quacks, amateurs posing as researchers, wild claims, and the paranoia we find on social media. You … (more–>)