The Cancer Diaries, Part 30

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The web of our life is of a mingled yarn, good and ill together… (Shakespeare: All’s Well That Ends Well, Act IV, Sc II.) Elumbated.* It’s an archaic word meaning “weakened in the loins” according to the OED. It apparently derives from the Latin elumbis “having a dislocated hip (from e out + lumbus loin).” I thought that the word itself might be well resurrected to describe someone who had had a radical prostatectomy. Like me: If the cancer is tangled with the nerves, it may … click below for more ↓

More Musings on Shakespeare

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The Complete Pelican Shakespeare (edited by Stephen Orgel and A. R. Braunmuller, Penguin Books, 2002) has a short but insightful essay on the texts of Shakespeare that illustrates the choices editors have made when dealing with the texts they want to present their version to the public. It uses a single, well-known verse from Romeo and Juliet (Act 2, Sc.2, lines 40-44 in the Pelican and many other editions) in which Juliet speaks: What’s Montague? it is nor hand, nor foot, Nor arm, nor face, … click below for more ↓

Musings on Poets and Poetry

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For me, reading the American literary critic, Harold Bloom, is often like wading in molasses. Intellectual molasses, to be sure, but slow going nonetheless. His writing is thick with difficult ideas and difficult words. Bloom’s historical reach, his knowledge and his understanding of the tapestry of literature far outstrip mine, so I find myself scuttling to the Net or other books on my shelf for collateral references, for critical commentary, and often to the dictionary. Bloom’s commentaries and essays are a challenge to me because … click below for more ↓

Shakespeare’s Mirror

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Grant that, and then is death a benefit. So are we Caesar’s friends, that have abridged His time of fearing death. Stoop, Romans, stoop, And let us bathe our hands in Caesar’s blood Up to the elbows and besmear our swords. Then walk we forth, even to the marketplace, And, waving our red weapons o’er our heads, Let’s all cry “Peace, freedom, and liberty!” Shakespeare: Julius Caesar Act 3 Sc 1. I was thinking about this play and how well it related to the events … click below for more ↓

Power, ambition, backstabbing

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Power grabs. Backstabbing. Lust. Ambition. Conniving. Hypocrisy. A weak but well-meaning ruler. A grasping second in command who viciously usurps power. A bureaucrat jealous of the nobles, jockeying for power and trading favours to get his way. Sleazy nobles selling their loyalty for petty trinkets. A cast of despicable, grasping characters all out for themselves, oblivious of the cost of their machinations on the common people, and willing to tread on anyone who gets in their way. Machiavellian plots and secret meetings. The destruction of state institutions … click below for more ↓

On the 400th anniversary of the Bard’s death

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“Is There Such a Thing as a ‘Bad’ Shakespeare Play?” asks a recent article on the Smithsonian website. It adds, “Shakespeare, despite the efforts of notable dissenting critics and writers to forcibly eject him, has occupied the position of world’s greatest playwright since his star was re-affixed to the firmament in the late 18th century. No other playwright is as universally revered. No other playwright has had countless theses and courses and books and articles speculative novels and so many buckets and buckets of ink … click below for more ↓

The Bard’s Best? Nope…

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To help celebrate the 400th anniversary of William Shakespeare’s death (April 23) and 452nd of his birth (also April 23), the website Mashable has put together a “battle” for the “Best Shakespeare Play Ever.” It’s done up as a sort of sports playoff grid (a tournament bracket), broken into four categories. Four? That’s right. Even though the First Folio was only divided into three categories, Mashable added their own: The plays are organized into four quadrants based on the four genres of plays Shakespeare commonly wrote: … click below for more ↓

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