{"id":23386,"date":"2020-08-23T09:23:57","date_gmt":"2020-08-23T13:23:57","guid":{"rendered":"http:\/\/ianchadwick.com\/blog\/?p=23386"},"modified":"2020-08-23T09:23:57","modified_gmt":"2020-08-23T13:23:57","slug":"i-struggle-with-milton","status":"publish","type":"post","link":"https:\/\/ianchadwick.com\/blog\/i-struggle-with-milton\/","title":{"rendered":"I Struggle With Milton"},"content":{"rendered":"<div class=\"pvc_clear\"><\/div>\n<p id=\"pvc_stats_23386\" class=\"pvc_stats all  \" data-element-id=\"23386\" style=\"\"><i class=\"pvc-stats-icon medium\" aria-hidden=\"true\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" version=\"1.0\" viewBox=\"0 0 502 315\" preserveAspectRatio=\"xMidYMid meet\"><g transform=\"translate(0,332) scale(0.1,-0.1)\" fill=\"\" stroke=\"none\"><path d=\"M2394 3279 l-29 -30 -3 -207 c-2 -182 0 -211 15 -242 39 -76 157 -76 196 0 15 31 17 60 15 243 l-3 209 -33 29 c-26 23 -41 29 -80 29 -41 0 -53 -5 -78 -31z\"\/><path d=\"M3085 3251 c-45 -19 -58 -50 -96 -229 -47 -217 -49 -260 -13 -295 52 -53 146 -42 177 20 16 31 87 366 87 410 0 70 -86 122 -155 94z\"\/><path d=\"M1751 3234 c-13 -9 -29 -31 -37 -50 -12 -29 -10 -49 21 -204 19 -94 39 -189 45 -210 14 -50 54 -80 110 -80 34 0 48 6 76 34 21 21 34 44 34 59 0 14 -18 113 -40 219 -37 178 -43 195 -70 221 -36 32 -101 37 -139 11z\"\/><path d=\"M1163 3073 c-36 -7 -73 -59 -73 -102 0 -56 133 -378 171 -413 34 -32 83 -37 129 -13 70 36 67 87 -16 290 -86 209 -89 214 -129 231 -35 14 -42 15 -82 7z\"\/><path d=\"M3689 3066 c-15 -9 -33 -30 -42 -48 -48 -103 -147 -355 -147 -375 0 -98 131 -148 192 -74 13 15 57 108 97 206 80 196 84 226 37 273 -30 30 -99 39 -137 18z\"\/><path d=\"M583 2784 c-38 -19 -67 -74 -58 -113 9 -42 211 -354 242 -373 16 -10 45 -18 66 -18 51 0 107 52 107 100 0 39 -1 41 -124 234 -80 126 -108 162 -133 173 -41 17 -61 16 -100 -3z\"\/><path d=\"M4250 2784 c-14 -9 -74 -91 -133 -183 -95 -150 -107 -173 -107 -213 0 -55 33 -94 87 -104 67 -13 90 8 211 198 130 202 137 225 78 284 -27 27 -42 34 -72 34 -22 0 -50 -8 -64 -16z\"\/><path d=\"M2275 2693 c-553 -48 -1095 -270 -1585 -649 -135 -104 -459 -423 -483 -476 -23 -49 -22 -139 2 -186 73 -142 361 -457 571 -626 285 -228 642 -407 990 -497 242 -63 336 -73 660 -74 310 0 370 5 595 52 535 111 1045 392 1455 803 122 121 250 273 275 326 19 41 19 137 0 174 -41 79 -309 363 -465 492 -447 370 -946 591 -1479 653 -113 14 -422 18 -536 8z m395 -428 c171 -34 330 -124 456 -258 112 -119 167 -219 211 -378 27 -96 24 -300 -5 -401 -72 -255 -236 -447 -474 -557 -132 -62 -201 -76 -368 -76 -167 0 -236 14 -368 76 -213 98 -373 271 -451 485 -162 444 86 934 547 1084 153 49 292 57 452 25z m909 -232 c222 -123 408 -262 593 -441 76 -74 138 -139 138 -144 0 -16 -233 -242 -330 -319 -155 -123 -309 -223 -461 -299 l-81 -41 32 46 c18 26 49 83 70 128 143 306 141 649 -6 957 -25 52 -61 116 -79 142 l-34 47 45 -20 c26 -10 76 -36 113 -56z m-2057 25 c-40 -58 -105 -190 -130 -263 -110 -324 -59 -707 132 -981 25 -35 42 -64 37 -64 -19 0 -241 119 -326 174 -188 122 -406 314 -532 468 l-58 71 108 103 c185 178 428 349 672 473 66 33 121 60 123 61 2 0 -10 -19 -26 -42z\"\/><path d=\"M2375 1950 c-198 -44 -350 -190 -395 -379 -18 -76 -8 -221 19 -290 114 -284 457 -406 731 -260 98 52 188 154 231 260 27 69 37 214 19 290 -38 163 -166 304 -326 360 -67 23 -215 33 -279 19z\"\/><\/g><\/svg><\/i> <img loading=\"lazy\" decoding=\"async\" width=\"16\" height=\"16\" alt=\"Loading\" src=\"https:\/\/ianchadwick.com\/blog\/wp-content\/plugins\/page-views-count\/ajax-loader-2x.gif\" border=0 \/><\/p>\n<div class=\"pvc_clear\"><\/div>\n<p><a href=\"https:\/\/www.bbc.com\/culture\/article\/20170419-why-paradise-lost-is-one-of-the-worlds-most-important-poems?fbclid=IwAR0RpQuIQwXBnJI5GYIuGWac1bxvA4-RX14RUp7U1I7OzdKe6cnd_L8ITd4\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" src=\"https:\/\/ychef.files.bbci.co.uk\/1280x720\/p050j7ty.jpg\" alt=\"Blake's vision of Milton\"><\/a><br \/>\nConfession time: I find a lot of epic or narrative poetry a slog. Milton, Homer, Dante&#8230; I have read my way into them all, but unlike my other books, I never get very far in any of them at each reading, although I make the effort and do so often. I don&#8217;t even enjoy reading Shakespeare&#8217;s two long poems, Venus and Adonis, and The Rape of Lucrece, and I read everything else by the bard with great relish.&nbsp;<\/p>\n<p>It&#8217;s odd because I love reading Chaucer&#8217;s poetry, even his longer pieces. I delight in Shakespeare&#8217;s sonnets. I have dozens of collections of works by poets like Auden, Yeats, Frost, Pound, Stevens, Lorca, Cummings, Eliot, Cohen, Dickinson, Horace, Rumi, Catullus, Li Po, Williams, Ginsburg, and many, many others. I have read the Gilgamesh and Beowulf epics in poetic form, both several times in different translations and enjoyed them. I have translations of poets from around the world. I have limericks and numerous books filled with Don Marquis&#8217; Archy and Mehitabel poems. I read the poems in the Tanakh and in the 1,001 Arabian Nights. I read the blank verse in Shakespeare&#8217;s plays, especially his great soliloquies.<\/p>\n<p>And I enjoy reading them all.<\/p>\n<p>So it&#8217;s not the poetic form that stymies me: I like poetry in almost all of its styles and forms. And it&#8217;s not the reading: I consume books, reading hundreds of pages a day spread across a half-dozen or more books most days. But when I pick up Milton, as I am doing these days, I find I read like I&#8217;m wading through molasses.<\/p>\n<p>Nor is it the author. I find in Milton great lines, masterful language, powerful emotions. I marvel at his skill and his vocabulary. The story he tells is rich and complex, with well-imagined and deep characters. Yet when I pick him up, time moves at a slower speed. Ditto with Homer and Dante.<\/p>\n<p><!--more--><\/p>\n<p>I get that Milton&#8217;s Paradise Lost is <a href=\"https:\/\/www.bbc.com\/culture\/article\/20170419-why-paradise-lost-is-one-of-the-worlds-most-important-poems\" target=\"_blank\" rel=\"noopener noreferrer\">an important work that has influenced poets and authors ever since<\/a>. I get that it&#8217;s an important landmark in the canon of western literature. I get that it was a groundbreaking work that challenged contemporary theological views on Satan, Adam and Eve, and even God \u2014 making sympathetic, clever, bold, and even heroic characters out of characters from the biblical narrative, especially those traditionally considered evil, and a less-than-admirable view of god. I just slog through it.<\/p>\n<p>Perhaps it&#8217;s in part because&nbsp; the religious sentiments behind it don&#8217;t find easy purchase in my non-religious brain. It is a deeply religious poem, even though in many ways it is a counterpoint to to commonly held biblical narrative. It&#8217;s not religion per se that hobbles my reading \u2014 I read a lot about world religions, especially about the history of religions, and the lost faiths like gnosticism. However, I don&#8217;t read a lot in which faith is assumed, as it is in Milton.<\/p>\n<p>Faith doesn&#8217;t offend me even though I don&#8217;t share it, but I admit I don&#8217;t quite understand it. His belief in demons, gods, the creation myth, the afterlife, even as allegory or fable, are simply outside my ken. I read of his god and demons with the same skeptical distance I read of the gods in Homer, Gilgamesh, or the Mahabarata (another slog for me). And I can&#8217;t help myself, but when I read anything about Adam and Eve, I get all Richard Dawkins about it, even though I know it was meant as an allegory, not a literal tale.&nbsp;<\/p>\n<p>As a writer and editor (albeit retired), I can see and admire the skill in which Milton uses words, and marvel at his assembly of them to such great effect. There are lines, phrases, and entire sections that are so well crafted as to be immortal in our language. Who does not know the phrase he puts in Satan&#8217;s mouth that it is, <strong>&#8220;<\/strong>Better to reign in Hell, than serve in Heaven\u201d? And <a href=\"https:\/\/www.bbc.com\/culture\/article\/20170419-why-paradise-lost-is-one-of-the-worlds-most-important-poems\" target=\"_blank\" rel=\"noopener noreferrer\">his subsequent lines<\/a> just sing out:<\/p>\n<blockquote><p>Free, and to none accountable, preferring<br \/>\nHard liberty before the easy yoke<br \/>\nOf servile Pomp.<\/p><\/blockquote>\n<p>The book is full of such great epigrammatic material. Wouldn&#8217;t this line make a great meme for the pandemic lockdown (surely a better one than those frequently shared falsely attributed quotes that pollute Facebook):<\/p>\n<blockquote><p>Solitude sometimes is best society.<\/p><\/blockquote>\n<p>And doesn&#8217;t this line speak to the psychological challenge our pandemic isolation puts on many of us:<\/p>\n<blockquote><p>The mind is its own place, and in itself can make a heaven of hell, a hell of heaven.<\/p><\/blockquote>\n<p>There are <a href=\"https:\/\/en.wikiquote.org\/wiki\/Paradise_Lost\" target=\"_blank\" rel=\"noopener noreferrer\">so many others<\/a> that can be culled from the 10,000 lines he wrote. Yes, I get it: it&#8217;s a great work and he was a superb writer and poet. But as much as I intellectualize it, but mea culpa I still find it slow going. Not that I&#8217;ll give up, mind you. it will just take me a while longer to get through than the other books I&#8217;m reading.<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"pvc_clear\"><\/div>\n<p id=\"pvc_stats_23386\" class=\"pvc_stats all  \" data-element-id=\"23386\" style=\"\"><i class=\"pvc-stats-icon medium\" aria-hidden=\"true\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" version=\"1.0\" viewBox=\"0 0 502 315\" preserveAspectRatio=\"xMidYMid meet\"><g transform=\"translate(0,332) scale(0.1,-0.1)\" fill=\"\" stroke=\"none\"><path d=\"M2394 3279 l-29 -30 -3 -207 c-2 -182 0 -211 15 -242 39 -76 157 -76 196 0 15 31 17 60 15 243 l-3 209 -33 29 c-26 23 -41 29 -80 29 -41 0 -53 -5 -78 -31z\"\/><path d=\"M3085 3251 c-45 -19 -58 -50 -96 -229 -47 -217 -49 -260 -13 -295 52 -53 146 -42 177 20 16 31 87 366 87 410 0 70 -86 122 -155 94z\"\/><path d=\"M1751 3234 c-13 -9 -29 -31 -37 -50 -12 -29 -10 -49 21 -204 19 -94 39 -189 45 -210 14 -50 54 -80 110 -80 34 0 48 6 76 34 21 21 34 44 34 59 0 14 -18 113 -40 219 -37 178 -43 195 -70 221 -36 32 -101 37 -139 11z\"\/><path d=\"M1163 3073 c-36 -7 -73 -59 -73 -102 0 -56 133 -378 171 -413 34 -32 83 -37 129 -13 70 36 67 87 -16 290 -86 209 -89 214 -129 231 -35 14 -42 15 -82 7z\"\/><path d=\"M3689 3066 c-15 -9 -33 -30 -42 -48 -48 -103 -147 -355 -147 -375 0 -98 131 -148 192 -74 13 15 57 108 97 206 80 196 84 226 37 273 -30 30 -99 39 -137 18z\"\/><path d=\"M583 2784 c-38 -19 -67 -74 -58 -113 9 -42 211 -354 242 -373 16 -10 45 -18 66 -18 51 0 107 52 107 100 0 39 -1 41 -124 234 -80 126 -108 162 -133 173 -41 17 -61 16 -100 -3z\"\/><path d=\"M4250 2784 c-14 -9 -74 -91 -133 -183 -95 -150 -107 -173 -107 -213 0 -55 33 -94 87 -104 67 -13 90 8 211 198 130 202 137 225 78 284 -27 27 -42 34 -72 34 -22 0 -50 -8 -64 -16z\"\/><path d=\"M2275 2693 c-553 -48 -1095 -270 -1585 -649 -135 -104 -459 -423 -483 -476 -23 -49 -22 -139 2 -186 73 -142 361 -457 571 -626 285 -228 642 -407 990 -497 242 -63 336 -73 660 -74 310 0 370 5 595 52 535 111 1045 392 1455 803 122 121 250 273 275 326 19 41 19 137 0 174 -41 79 -309 363 -465 492 -447 370 -946 591 -1479 653 -113 14 -422 18 -536 8z m395 -428 c171 -34 330 -124 456 -258 112 -119 167 -219 211 -378 27 -96 24 -300 -5 -401 -72 -255 -236 -447 -474 -557 -132 -62 -201 -76 -368 -76 -167 0 -236 14 -368 76 -213 98 -373 271 -451 485 -162 444 86 934 547 1084 153 49 292 57 452 25z m909 -232 c222 -123 408 -262 593 -441 76 -74 138 -139 138 -144 0 -16 -233 -242 -330 -319 -155 -123 -309 -223 -461 -299 l-81 -41 32 46 c18 26 49 83 70 128 143 306 141 649 -6 957 -25 52 -61 116 -79 142 l-34 47 45 -20 c26 -10 76 -36 113 -56z m-2057 25 c-40 -58 -105 -190 -130 -263 -110 -324 -59 -707 132 -981 25 -35 42 -64 37 -64 -19 0 -241 119 -326 174 -188 122 -406 314 -532 468 l-58 71 108 103 c185 178 428 349 672 473 66 33 121 60 123 61 2 0 -10 -19 -26 -42z\"\/><path d=\"M2375 1950 c-198 -44 -350 -190 -395 -379 -18 -76 -8 -221 19 -290 114 -284 457 -406 731 -260 98 52 188 154 231 260 27 69 37 214 19 290 -38 163 -166 304 -326 360 -67 23 -215 33 -279 19z\"\/><\/g><\/svg><\/i> <img loading=\"lazy\" decoding=\"async\" width=\"16\" height=\"16\" alt=\"Loading\" src=\"https:\/\/ianchadwick.com\/blog\/wp-content\/plugins\/page-views-count\/ajax-loader-2x.gif\" border=0 \/><\/p>\n<div class=\"pvc_clear\"><\/div>\n<p>Confession time: I find a lot of epic or narrative poetry a slog. Milton, Homer, Dante&#8230; I have read my way into them all, but unlike my other books, I never get very far in any of them at each reading, although I make the effort and do so often. I don&#8217;t even enjoy reading Shakespeare&#8217;s two long poems, Venus and Adonis, and The Rape of Lucrece, and I read everything else by the bard with great relish.&nbsp; It&#8217;s odd because I love reading Chaucer&#8217;s poetry, even his longer pieces. I delight in Shakespeare&#8217;s sonnets. I have dozens of collections \u2026&#8230;&#8230; click below for more \u2193<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[8,856,1185,72],"tags":[406,1190,1188,1189,1186,1187,76,147],"class_list":["post-23386","post","type-post","status-publish","format-standard","hentry","category-books","category-classics-books","category-poetry","category-books-by-the-bedside","tag-books-reviews","tag-dante","tag-epic","tag-homer","tag-milton","tag-paradise-lost","tag-poetry","tag-reading"],"a3_pvc":{"activated":true,"total_views":572,"today_views":0},"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/ianchadwick.com\/blog\/wp-json\/wp\/v2\/posts\/23386","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ianchadwick.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ianchadwick.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ianchadwick.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ianchadwick.com\/blog\/wp-json\/wp\/v2\/comments?post=23386"}],"version-history":[{"count":2,"href":"https:\/\/ianchadwick.com\/blog\/wp-json\/wp\/v2\/posts\/23386\/revisions"}],"predecessor-version":[{"id":23388,"href":"https:\/\/ianchadwick.com\/blog\/wp-json\/wp\/v2\/posts\/23386\/revisions\/23388"}],"wp:attachment":[{"href":"https:\/\/ianchadwick.com\/blog\/wp-json\/wp\/v2\/media?parent=23386"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ianchadwick.com\/blog\/wp-json\/wp\/v2\/categories?post=23386"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ianchadwick.com\/blog\/wp-json\/wp\/v2\/tags?post=23386"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}