{"id":25130,"date":"2021-03-22T09:45:38","date_gmt":"2021-03-22T13:45:38","guid":{"rendered":"http:\/\/ianchadwick.com\/blog\/?p=25130"},"modified":"2021-03-22T09:51:51","modified_gmt":"2021-03-22T13:51:51","slug":"musings-on-downsizing-no-2","status":"publish","type":"post","link":"https:\/\/ianchadwick.com\/blog\/musings-on-downsizing-no-2\/","title":{"rendered":"Musings on Downsizing, No. 2"},"content":{"rendered":"<div class=\"pvc_clear\"><\/div>\n<p id=\"pvc_stats_25130\" class=\"pvc_stats all  \" data-element-id=\"25130\" style=\"\"><i class=\"pvc-stats-icon medium\" aria-hidden=\"true\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" version=\"1.0\" viewBox=\"0 0 502 315\" preserveAspectRatio=\"xMidYMid meet\"><g transform=\"translate(0,332) scale(0.1,-0.1)\" fill=\"\" stroke=\"none\"><path d=\"M2394 3279 l-29 -30 -3 -207 c-2 -182 0 -211 15 -242 39 -76 157 -76 196 0 15 31 17 60 15 243 l-3 209 -33 29 c-26 23 -41 29 -80 29 -41 0 -53 -5 -78 -31z\"\/><path d=\"M3085 3251 c-45 -19 -58 -50 -96 -229 -47 -217 -49 -260 -13 -295 52 -53 146 -42 177 20 16 31 87 366 87 410 0 70 -86 122 -155 94z\"\/><path d=\"M1751 3234 c-13 -9 -29 -31 -37 -50 -12 -29 -10 -49 21 -204 19 -94 39 -189 45 -210 14 -50 54 -80 110 -80 34 0 48 6 76 34 21 21 34 44 34 59 0 14 -18 113 -40 219 -37 178 -43 195 -70 221 -36 32 -101 37 -139 11z\"\/><path d=\"M1163 3073 c-36 -7 -73 -59 -73 -102 0 -56 133 -378 171 -413 34 -32 83 -37 129 -13 70 36 67 87 -16 290 -86 209 -89 214 -129 231 -35 14 -42 15 -82 7z\"\/><path d=\"M3689 3066 c-15 -9 -33 -30 -42 -48 -48 -103 -147 -355 -147 -375 0 -98 131 -148 192 -74 13 15 57 108 97 206 80 196 84 226 37 273 -30 30 -99 39 -137 18z\"\/><path d=\"M583 2784 c-38 -19 -67 -74 -58 -113 9 -42 211 -354 242 -373 16 -10 45 -18 66 -18 51 0 107 52 107 100 0 39 -1 41 -124 234 -80 126 -108 162 -133 173 -41 17 -61 16 -100 -3z\"\/><path d=\"M4250 2784 c-14 -9 -74 -91 -133 -183 -95 -150 -107 -173 -107 -213 0 -55 33 -94 87 -104 67 -13 90 8 211 198 130 202 137 225 78 284 -27 27 -42 34 -72 34 -22 0 -50 -8 -64 -16z\"\/><path d=\"M2275 2693 c-553 -48 -1095 -270 -1585 -649 -135 -104 -459 -423 -483 -476 -23 -49 -22 -139 2 -186 73 -142 361 -457 571 -626 285 -228 642 -407 990 -497 242 -63 336 -73 660 -74 310 0 370 5 595 52 535 111 1045 392 1455 803 122 121 250 273 275 326 19 41 19 137 0 174 -41 79 -309 363 -465 492 -447 370 -946 591 -1479 653 -113 14 -422 18 -536 8z m395 -428 c171 -34 330 -124 456 -258 112 -119 167 -219 211 -378 27 -96 24 -300 -5 -401 -72 -255 -236 -447 -474 -557 -132 -62 -201 -76 -368 -76 -167 0 -236 14 -368 76 -213 98 -373 271 -451 485 -162 444 86 934 547 1084 153 49 292 57 452 25z m909 -232 c222 -123 408 -262 593 -441 76 -74 138 -139 138 -144 0 -16 -233 -242 -330 -319 -155 -123 -309 -223 -461 -299 l-81 -41 32 46 c18 26 49 83 70 128 143 306 141 649 -6 957 -25 52 -61 116 -79 142 l-34 47 45 -20 c26 -10 76 -36 113 -56z m-2057 25 c-40 -58 -105 -190 -130 -263 -110 -324 -59 -707 132 -981 25 -35 42 -64 37 -64 -19 0 -241 119 -326 174 -188 122 -406 314 -532 468 l-58 71 108 103 c185 178 428 349 672 473 66 33 121 60 123 61 2 0 -10 -19 -26 -42z\"\/><path d=\"M2375 1950 c-198 -44 -350 -190 -395 -379 -18 -76 -8 -221 19 -290 114 -284 457 -406 731 -260 98 52 188 154 231 260 27 69 37 214 19 290 -38 163 -166 304 -326 360 -67 23 -215 33 -279 19z\"\/><\/g><\/svg><\/i> <img loading=\"lazy\" decoding=\"async\" width=\"16\" height=\"16\" alt=\"Loading\" src=\"https:\/\/ianchadwick.com\/blog\/wp-content\/plugins\/page-views-count\/ajax-loader-2x.gif\" border=0 \/><\/p>\n<div class=\"pvc_clear\"><\/div>\n<p><img decoding=\"async\" src=\"https:\/\/www.antena3.com\/newa3flash\/modulos_blancos\/halldesactivado.gif\" alt=\"Dave deletes HAL's memory\"><br \/>\nIn the film, <a href=\"https:\/\/en.wikipedia.org\/wiki\/2001:_A_Space_Odyssey_(film)\" target=\"_blank\" rel=\"noopener\"><em>2001: A Space Odyssey<\/em><\/a>, there&#8217;s a memorable, somewhat spooky scene towards the end where astronaut Dave is pulling the chips from the memory banks of HAL, the ship&#8217;s AI computer. HAL begs Dave to stop while his memories recede:<\/p>\n<blockquote><p>Stop, Dave. Will you stop, Dave? Stop, Dave. I&#8217;m afraid. I&#8217;m afraid, Dave&#8230;Dave, my mind is going. I can feel it. I can feel it. My mind is going. There is no question about it. I can feel it. I can feel it.<br \/>\nI can feel it.<br \/>\nI&#8217;m a&#8230; fraid&#8230;<\/p><\/blockquote>\n<p>I felt a bit like HAL while I was sorting through my book collection during my downsizing exercise these past weeks. I&#8217;ve been setting aside books for sale, or donation, clearing piles of books from the floor, unwinding two-and-three-deep stacks, comparing editions of the same title. I&#8217;ve been making keep or discard decisions like a Roman emperor deciding the fate of a defeated gladiator. Thumbs up? Back to the shelf! Thumbs down? Into the box! And with it goes my memory.<\/p>\n<p>Every title is a memory, a piece of my history, a plank in my foundation; every book pulled from the shelves for disposal feels like I&#8217;m abandoning part of who I am. I am betraying myself. How will I still be able to connect with that past, with that person, without the book to transport me there? <em>Dave, I&#8217;m afraid&#8230;<\/em>&nbsp; &nbsp;I felt sympathy for the computer during that scene. I know his pain.<\/p>\n<p>Memory, you learn as you age, is both precious and fragile. I looked through a box of old photographs, only remembering the people and places in them because I am holding the image in my hand. They had retreated among the benthos of my memories until the moment I looked at it.<\/p>\n<p>Emotions are attached to memories; the simultaneous sense of loss and re-discovered passions boiled up within me when I looked at the photograph. Friends and lovers restored, even if only for that brief moment. Throwing those images away is like Dave unplugging HAL. With that photograph in hand, I can go spelunking into my past and rediscover a whole subterranean world buried within me.<\/p>\n<p><!--more--><\/p>\n<p>Memory is also plastic: like a metamorphic rock, it changes under the heat and pressure of time and emotions. When I read articles I wrote decades ago, in magazines and publications long forgotten, I can&#8217;t see in them the person I am today. I try to recall what prompted me to write it, to put those words into the order as I did then, who that person was behind the keyboard. I can&#8217;t recall the tides of decision-making that tugged me to submit what ended up in publication. But then I sometimes recall an editor I had coffee with, or the person I interviewed over a beer, even though the subject of the piece that resulted escapes me.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"Alignright alignright\" src=\"https:\/\/d4rri9bdfuube.cloudfront.net\/assets\/images\/book\/large\/9780\/1560\/9780156030434.jpg\" alt=\"Umberto Eco novel\" width=\"200\" height=\"400\">In his 2004 novel, <em><a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Mysterious_Flame_of_Queen_Loana\" target=\"_blank\" rel=\"noopener\">The Mysterious Flame of Queen Loana<\/a><\/em>, author Umberto Eco, tells the tale of Yambo, an antiquarian bookseller, who has had a stroke. He has lost part of his memory; he can&#8217;t recall his wife or her name, his children; his grandchildren, or where any of them live. His present is a tabula rasa. But he can recall lines and phrases from books he has read in the past; he can recall random facts from encyclopedias. His personal past has gone; his remaining memories belong to someone else&#8217;s words.<\/p>\n<p>He retreats to his family home in the countryside where he grew up. There he spends his days mostly in solitude, reading through the books still there; books that date back to his grandparent&#8217;s time through to his own childhood. Reading those books sparks memories within him. He slowly remembers what he calls, &#8220;the gamut of mysterious flames, mild tachycardias, and sudden flushes that many of those readings gave rise to for a brief instant, which dissolved as quickly as they had come, making way for new waves of heat.&#8221;<\/p>\n<p>I often feel those flames flicker when I take a book down from my shelf; usually some title long neglected or ignored; the most suitable candidate for disposal. But when I open it, when I read within, I find the embers of memories still smolder in its pages. And those memories grow, rhizomatic, to seek out others and others. They reach people, jobs, and places from my past. I grow reluctant to let it go because it evokes such memories.<\/p>\n<p>Reviewer <a href=\"https:\/\/www.theguardian.com\/books\/2005\/jun\/25\/fiction.umbertoeco\" target=\"_blank\" rel=\"noopener\">Ian Sansom<\/a> called Eco&#8217;s novel, &#8220;essentially and specifically a profound meditation on the nature of memory and forgetting.&#8221; And reviewer <a href=\"https:\/\/www.theguardian.com\/books\/2005\/jun\/19\/fiction.umbertoeco\" target=\"_blank\" rel=\"noopener\">Stephanie Merritt<\/a> called it, &#8220;the starting point for a profound study of the influences that shape and determine a life, though he quickly leaves the science behind and moves into the more familiar terrain of history and literature.&#8221; For me, it was a poignant allegory about age, memory, and mortality that melded with my recent thoughts on downsizing.<\/p>\n<p>In a sense, I feel like Yambo going in reverse. I, too, have those brilliant flashes of memory as I pick out books from my shelves; even more when I gather newspapers and magazines I wrote for or edited. The latter are far more powerful talismans for memory and its bridesmaid; nostalgia. But then I put them in a box for disposal that I cannot help but think of as the &#8220;box of forgetting&#8221; \u2014 once it leaves my sight, it makes its way to the bookstore, or for the papers, the dump. Then it is no longer a touchstone I can hold and call up the magic of its memory for myself. Will I remember any of it in another decade?<\/p>\n<p>What if, like Yambo, I too have a stroke? That&#8217;s not an unreasonable concern for a man my age. What if, should I have a stroke, my memory sublimates as his did? What if all I&#8217;m left with is the glaciated bedrock of my past? Those tough Paleozoic memories laid down in the ancient neural stone, now scraped clean of the soil of modern deposition by the burst blood vessels in my brain. How will I reconnect to my present, my today self, without these books?<\/p>\n<p>Without my books, how will I remember the British infantry, kneeling behind a small rise in the ground near Waterloo, rising with muskets ready to fire as the French approached? How will I remember the sad walk of Anne Boyelyn on that dull morning as she went to her death? Or the desperate, room-to-room fights between weary soldiers among the wintery rubble at Stalingrad? How will I recall Samuel Johnson&#8217;s brilliant witticisms or Milton&#8217;s sublime poetry? How will I remember reading Kerouac&#8217;s <em>On the Road <\/em>at the very time I too, was travelling across country? Or the opening of Chaucer&#8217;s Prologue to his Canterbury Tales? The joy of Shakepeare&#8217;s stirring monologues? The striking wisdom of a Zen koan? All of these, and more, are in my books.<\/p>\n<p>I realize, of course, that many of my books seem like anachronisms in the digital world. A thesaurus, dictionaries, style and punctuation guides, books of quotations, type catalogues, language guides. These were books that once shored up my everyday working life.&nbsp; Books I pored over to find suitable words, phrasing, to resolve an issue of usage or grammar, to choose the right typeface, to decide how to size a photograph and cutline. They were the gentle, yet firm, guiding hands behind my career.<\/p>\n<p>&#8220;You can get it all on the internet today,&#8221; said the bookseller, returning the box of such tomes I offered her last week.&nbsp;But, I wanted to argue, these are <em>books<\/em>. They are <em>credible<\/em> sources; they are teachers and professors in ink. So little online is credible. The internet isn&#8217;t built on solidity: it&#8217;s transient, ephemeral, full of noise and codswallop. Books are permanent. Books are real. How can they be replaced by something so impermanent? Books are solid scaffolding upon which you can build credibility; the internet is a collection of flimsy cobwebs.<\/p>\n<p>People invent quotations online and stick inappropriate names on them at a whim, then post them on un-moderated and un-verified &#8220;quotation&#8221; sites that are in reality simply clickbait for advertisers. Pseudo-quotes get shared in memes on social media as if they were real, but they are fake and few know how to verify them, or have the source material to do so.&nbsp; Books <em>are<\/em> the source material. They cannot be replaced by the internet any more than a TV hospital drama can replace actual healthcare. These books I hold contain uncontestable, trustworthy sources for quotations.<\/p>\n<p>What if the internet was to crash today? What if all those sites, those blogs, those Facebook and Twitter posts, those Instagram photos, those misattributed quotes just disappeared? Where would people turn to for information, for facts, for credibility? <em>Books<\/em>. Or at least those who still remember how to use them would. I want to be among that rarified stratum; those who still read and hold books dear, for whom books are gateways to remembering. I want to be among those keepers of memories who know what page to turn to in order to answer a question.<\/p>\n<p>No, I wanted to argue, these books are not virtual; mere images on a screen: these books contain reality. You can hold them, feel their weight, smell their age, sense their gravitas in your hands. They are the result of hundreds, maybe thousands of hours of research, verification, editorial drudges checking and double-checking for accuracy. But she handed me the box of unwanted books before I could say anything and I meekly took them back.<\/p>\n<p>Maybe someone else will want these memories of mine.<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"pvc_clear\"><\/div>\n<p id=\"pvc_stats_25130\" class=\"pvc_stats all  \" data-element-id=\"25130\" style=\"\"><i class=\"pvc-stats-icon medium\" aria-hidden=\"true\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" version=\"1.0\" viewBox=\"0 0 502 315\" preserveAspectRatio=\"xMidYMid meet\"><g transform=\"translate(0,332) scale(0.1,-0.1)\" fill=\"\" stroke=\"none\"><path d=\"M2394 3279 l-29 -30 -3 -207 c-2 -182 0 -211 15 -242 39 -76 157 -76 196 0 15 31 17 60 15 243 l-3 209 -33 29 c-26 23 -41 29 -80 29 -41 0 -53 -5 -78 -31z\"\/><path d=\"M3085 3251 c-45 -19 -58 -50 -96 -229 -47 -217 -49 -260 -13 -295 52 -53 146 -42 177 20 16 31 87 366 87 410 0 70 -86 122 -155 94z\"\/><path d=\"M1751 3234 c-13 -9 -29 -31 -37 -50 -12 -29 -10 -49 21 -204 19 -94 39 -189 45 -210 14 -50 54 -80 110 -80 34 0 48 6 76 34 21 21 34 44 34 59 0 14 -18 113 -40 219 -37 178 -43 195 -70 221 -36 32 -101 37 -139 11z\"\/><path d=\"M1163 3073 c-36 -7 -73 -59 -73 -102 0 -56 133 -378 171 -413 34 -32 83 -37 129 -13 70 36 67 87 -16 290 -86 209 -89 214 -129 231 -35 14 -42 15 -82 7z\"\/><path d=\"M3689 3066 c-15 -9 -33 -30 -42 -48 -48 -103 -147 -355 -147 -375 0 -98 131 -148 192 -74 13 15 57 108 97 206 80 196 84 226 37 273 -30 30 -99 39 -137 18z\"\/><path d=\"M583 2784 c-38 -19 -67 -74 -58 -113 9 -42 211 -354 242 -373 16 -10 45 -18 66 -18 51 0 107 52 107 100 0 39 -1 41 -124 234 -80 126 -108 162 -133 173 -41 17 -61 16 -100 -3z\"\/><path d=\"M4250 2784 c-14 -9 -74 -91 -133 -183 -95 -150 -107 -173 -107 -213 0 -55 33 -94 87 -104 67 -13 90 8 211 198 130 202 137 225 78 284 -27 27 -42 34 -72 34 -22 0 -50 -8 -64 -16z\"\/><path d=\"M2275 2693 c-553 -48 -1095 -270 -1585 -649 -135 -104 -459 -423 -483 -476 -23 -49 -22 -139 2 -186 73 -142 361 -457 571 -626 285 -228 642 -407 990 -497 242 -63 336 -73 660 -74 310 0 370 5 595 52 535 111 1045 392 1455 803 122 121 250 273 275 326 19 41 19 137 0 174 -41 79 -309 363 -465 492 -447 370 -946 591 -1479 653 -113 14 -422 18 -536 8z m395 -428 c171 -34 330 -124 456 -258 112 -119 167 -219 211 -378 27 -96 24 -300 -5 -401 -72 -255 -236 -447 -474 -557 -132 -62 -201 -76 -368 -76 -167 0 -236 14 -368 76 -213 98 -373 271 -451 485 -162 444 86 934 547 1084 153 49 292 57 452 25z m909 -232 c222 -123 408 -262 593 -441 76 -74 138 -139 138 -144 0 -16 -233 -242 -330 -319 -155 -123 -309 -223 -461 -299 l-81 -41 32 46 c18 26 49 83 70 128 143 306 141 649 -6 957 -25 52 -61 116 -79 142 l-34 47 45 -20 c26 -10 76 -36 113 -56z m-2057 25 c-40 -58 -105 -190 -130 -263 -110 -324 -59 -707 132 -981 25 -35 42 -64 37 -64 -19 0 -241 119 -326 174 -188 122 -406 314 -532 468 l-58 71 108 103 c185 178 428 349 672 473 66 33 121 60 123 61 2 0 -10 -19 -26 -42z\"\/><path d=\"M2375 1950 c-198 -44 -350 -190 -395 -379 -18 -76 -8 -221 19 -290 114 -284 457 -406 731 -260 98 52 188 154 231 260 27 69 37 214 19 290 -38 163 -166 304 -326 360 -67 23 -215 33 -279 19z\"\/><\/g><\/svg><\/i> <img loading=\"lazy\" decoding=\"async\" width=\"16\" height=\"16\" alt=\"Loading\" src=\"https:\/\/ianchadwick.com\/blog\/wp-content\/plugins\/page-views-count\/ajax-loader-2x.gif\" border=0 \/><\/p>\n<div class=\"pvc_clear\"><\/div>\n<p>In the film, 2001: A Space Odyssey, there&#8217;s a memorable, somewhat spooky scene towards the end where astronaut Dave is pulling the chips from the memory banks of HAL, the ship&#8217;s AI computer. HAL begs Dave to stop while his memories recede: Stop, Dave. Will you stop, Dave? Stop, Dave. I&#8217;m afraid. I&#8217;m afraid, Dave&#8230;Dave, my mind is going. I can feel it. I can feel it. My mind is going. There is no question about it. I can feel it. I can feel it. I can feel it. I&#8217;m a&#8230; fraid&#8230; I felt a bit like HAL while I \u2026&#8230;&#8230; click below for more \u2193<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[8,718,9,72],"tags":[406,1421,386,439,1435],"class_list":["post-25130","post","type-post","status-publish","format-standard","hentry","category-books","category-daily-life","category-personal-reminiscences","category-books-by-the-bedside","tag-books-reviews","tag-downsizing","tag-memories","tag-nostalgia","tag-remembering"],"a3_pvc":{"activated":true,"total_views":323,"today_views":0},"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/ianchadwick.com\/blog\/wp-json\/wp\/v2\/posts\/25130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ianchadwick.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ianchadwick.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ianchadwick.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ianchadwick.com\/blog\/wp-json\/wp\/v2\/comments?post=25130"}],"version-history":[{"count":20,"href":"https:\/\/ianchadwick.com\/blog\/wp-json\/wp\/v2\/posts\/25130\/revisions"}],"predecessor-version":[{"id":25150,"href":"https:\/\/ianchadwick.com\/blog\/wp-json\/wp\/v2\/posts\/25130\/revisions\/25150"}],"wp:attachment":[{"href":"https:\/\/ianchadwick.com\/blog\/wp-json\/wp\/v2\/media?parent=25130"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ianchadwick.com\/blog\/wp-json\/wp\/v2\/categories?post=25130"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ianchadwick.com\/blog\/wp-json\/wp\/v2\/tags?post=25130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}