{"id":18,"date":"2012-12-22T12:18:53","date_gmt":"2012-12-22T17:18:53","guid":{"rendered":"http:\/\/ianchadwick.com\/machiavelli\/?page_id=18"},"modified":"2012-12-31T15:18:49","modified_gmt":"2012-12-31T20:18:49","slug":"about-the-prince","status":"publish","type":"page","link":"https:\/\/ianchadwick.com\/machiavelli\/addenda\/about-the-prince\/","title":{"rendered":"About The Prince"},"content":{"rendered":"<p><strong>Il Principe, or<em> The Prince<\/em>, is a short book of 26 chapters<\/strong>, and roughly 30,000 words. Most modern editions are fewer than 100 pages, including an introduction and perhaps a glossary. It\u2019s elegantly written, although the author used run-on sentences a lot. Newer editions break up those long pieces into more digestible portions.<\/p>\n<p>It was written by Niccol\u00f2 Machiavelli not long after he was dismissed from office, when the Florentine Republic collapsed and the Medici family returned to power, in 1512. Machiavelli also wrote his longer <em>Discourses on Livy<\/em> around the same time.<\/p>\n<p>Although copies of <em>The Prince<\/em> circulated among his friends as early as 1513, it was not actually published until 1532, five years after Machiavelli&#8217;s death. Most scholars date it from 1513.<\/p>\n<p>Initially ignored, a few years after its publication, both the Catholic and Protestant churches condemned <em>The Prince<\/em>. It was even banned in Elizabethan England (we have Cardinal Pole to thank for this). The Pope placed it on the <em>Index Librorum Prohibitorum<\/em> (List of Banned Books) in 1559. Because he presented politics as being outside religious control and influence, both churches believed Machiavelli\u2019s works fostered political and moral corruption.<\/p>\n<p>In more recent times, the philosopher Jean Jacque Rousseau called <em>The Prince<\/em> a \u201chandbook for Republicans\u201d (<em>The Social Contract<\/em>, Penguin edition). Bertrand Russell called it a, \u201chandbook for gangsters.\u201d Others, however, have called <em>The Prince<\/em> a handbook for statesmen. Leo Straus called Machiavelli a \u201cteacher of evil\u201d because of The Prince.<\/p>\n<p>The book was dedicated to Lorenzo di Piero de&#8217; Medici, grandson of &#8220;Lorenzo the Magnificent&#8221;, the Medici ruler who, before his death in 1492, had raised Florence to the height of its power. It is doubtful that the latter Lorenzo \u2013 a vain and inept ruler \u2013 ever read it, however.<\/p>\n<blockquote><p>\u201cAnd through this study of mine, were it to be read, it would be evident that during the fifteen years I have been studying the art of the state I have neither slept nor fooled around, and anybody ought to be happy to utilize someone who has had so much experience at the expense of others.\u201d<br \/>\n<strong>Machiavelli&#8217;s letter to Francesco Vettori, 1513\u00a0<\/strong><strong>from Machiavelli and his Friends<\/strong><\/p><\/blockquote>\n<p>In his introduction to <em>The Prince<\/em>, Machiavelli wrote that his knowledge of politics, gleaned from years of observation and study, was his most prized possession:<\/p>\n<blockquote><p><strong>\u00a0\u201cI have not found among my possessions anything which I hold more dear than, or value so much as, my knowledge of the actions of great men, acquired by long experience in contemporary affairs, and a continual study of antiquity. Having reflected upon it with great and prolonged diligence, I now send, digested into this little volume, to your Magnificence.\u201d<\/strong><\/p><\/blockquote>\n<p><em>The Prince<\/em> is arguably the earliest work of modern political philosophy, and the first book of the realism-versus-idealism school of thought. It\u2019s not meant as a universal moral philosophy for the general public, but rather a narrowly directed guide for politicians.<\/p>\n<p><em>The Prince<\/em> is a practical guide to teach rulers how to take and maintain control of power in a state. Machiavelli urges the rulers of the state to direct their own destiny, and not depend on what fate or chance brings.<\/p>\n<p><em>The Prince<\/em> contrasted with other contemporary guides called \u201cmirrors for princes\u201d \u2013 popular gifts given to princes and other rulers at the time. These guides exhorted them to act with Christian morality: behave well, be kind, and do good deeds in order to prosper.<\/p>\n<p><em>The Prince<\/em>, instead, told them to act good or bad as circumstances demanded.<\/p>\n<p>Machiavelli\u2019s book has two main focal points: how the ruler should govern, and how the ruler should behave, although the distinction between the two may be subtle at times.<\/p>\n<p>Machiavelli had great respect for bold, ambitious and decisive leaders who took risks, and little patience for those who dithered or waited for fortune to intervene. He had watched his own Florentine government procrastinate and prevaricate disastrously until it was overthrown.<\/p>\n<p>A republican at heart (although sometimes in secret), he urged princes to mitigate their cruelty, and to embrace innovation and new ideas to reform their state and help their people. He also recommended rulers appear unwavering and resolute, while actually being flexible. Appearances and acts were sometimes disparate entities in his writing.<\/p>\n<p>In a letter to his friend, Francesco Vettori, Machiavelli encouraged him to act decisively, writing,<\/p>\n<blockquote><p>\u201cIt is better to act and repent, than not to act and regret.\u201d<br \/>\n<strong>Quoted in Viroli: Niccol\u00f2\u2019s Smile, Ch. 16<\/strong><\/p><\/blockquote>\n<p>Today we might say, \u201cIt is easier to ask for forgiveness than for permission.\u201d<\/p>\n<p>While Machiavelli understood that leaders naturally aimed to garner glory and honour for themselves, he did not hector them with the popular Christian ideals of ethical or moral goals. Instead, he encouraged leaders to use &#8220;virtu\u201d and prudence in their politics, and to always bend their goals to the common good. Towards this end, he believed how they achieved that common good was not as important as the resulting good itself.<\/p>\n<p>Several key words appear frequently throughout <em>The Prince<\/em>:<\/p>\n<ul>\n<li>gloria,<\/li>\n<li>necessita,<\/li>\n<li>onore,<\/li>\n<li>fortuna,<\/li>\n<li>spegnere,<\/li>\n<li>principe, and<\/li>\n<li>virtu.<\/li>\n<\/ul>\n<p>The first four are similar to their English counterparts, and usually translated as glory, necessity, honour, and fortune (or fate), respectively.<\/p>\n<p>Necessity and fortune sometimes appear as polar opposites in <em>The Prince<\/em>.<\/p>\n<p>Spegnere is often translated as \u201cexecute\u201d in the sense of killing, but it can also mean to eliminate, render powerless or neutralize. How bloodthirsty Machiavelli appears in The Prince depends on how the translator chose to handle spegnere.<\/p>\n<p>Another difficult word for translators is in the title: principe. While loosely translated as \u2018prince\u2019 it really suggests ruler, boss, leader, chief, mayor or governor. It\u2019s like the Spanish term, \u2018El jefe.\u2019 Machiavelli seldom means prince as a hereditary son of a monarch. It certainly doesn\u2019t mean anything like the fairy tale \u2018Prince Charming.\u2019<\/p>\n<p>The last word, virtu, is the most difficult for translators, because it can mean, variously, prowess, ability, skill, strength, wisdom, courage, audacity, willpower, efficiency, spirit, virility, valour and even moral virtue, depending on context. It derives from the same Latin root as virility, which suggests manliness or potency. The closest term I can think that parallels it is the Yiddish word, chutzpah.<\/p>\n<p><em>The Prince<\/em> is not without its contradictions: sometimes Machiavelli\u2019s republican leanings seem confusingly interwoven with his instructions to autocrats. His chapter topics were not systematic; he mixed ideas and repeated advice, and he jumped around quite a bit from topic to topic.<\/p>\n<p>But, as Viroli suggests (see below), perhaps that was merely a rhetorical technique used according to the teachings set down in Cicero\u2019s work, <em>On the Orator<\/em>:<\/p>\n<div>\n<blockquote><p>\u201cWho indeed does not know that the orator&#8217;s virtue is pre-eminently manifested either in rousing men&#8217;s hearts to anger, hatred, or indignation, or in recalling them from these same passions to mildness and mercy ? Wherefore the speaker will not be able to achieve what he wants by his words, unless he has gained profound insight into the characters of men, and the whole range of human nature, and those motives whereby our souls are spurred on or turned back.\u201d<br \/>\n<b>Cicero: De Oratore, Book I: XII:53<\/b><\/p><\/blockquote>\n<\/div>\n<p>None of this detracts from the book\u2019s overall usefulness or its inherent truths.<\/p>\n<h2>The Rules of Governance<\/h2>\n<p><em>The Prince<\/em> is still relevant because it deals with founding and pacifying and then governing a state, a condition with parallels to our current municipalities where our \u2018states\u2019 are overthrown every three or four years in democratic elections.<\/p>\n<p>While he is best remembered for <em>The Prince<\/em>, Machiavelli\u2019s writing also includes numerous works on politics and history, including <em>The Discourses on the First Ten Books of Titus Livy<\/em> (The Discourses); <em>The Art of War; A Description of the Methods Adopted by the Duke Valentino When Murdering Vitellozzo Vitelli, Oliverotto da Fermo, the Signor Pagolo, and the Duke di Gravina Orsini<\/em>; a discourse about money; an essay about the politics in Germany; another about reforming Florence; an essay on the city of Lucca; a short biography of Vita di Castruccio Castracani da Lucca; and an eight-volume history of his home city-state, Florence.<\/p>\n<p>Of these, <em>The Discourses<\/em> is the most relevant to this book, and was Machiavelli\u2019s most intellectual effort. It was written around the same time as <em>The Prince<\/em>, and expands many of the ideas presented in <em>The Prince<\/em>, but usually from the republican perspective \u2013 a viewpoint that would not have pleased the Medici to whom he dedicated <em>The Prince<\/em>.<\/p>\n<p><em>The Prince<\/em> stands today beside other great literary works of politics and war, but time and distance have made it somewhat obscure and often difficult for today\u2019s generation of politicians without a guide. I hope to be Virgil to your Dante on this journey into the depths of <em>The Prince<\/em>.<\/p>\n<h2>Other Perspectives<\/h2>\n<p>There are other ways of looking at\u00a0<em>The Prince<\/em>, of course. Ian Johnston suggested in a lecture that it was written as a satire:<\/p>\n<blockquote><p>&#8220;&#8230;the book is, first and foremost, a satire, so that many of the things we find in it which are contradictory, morally absurd, and specious are there quite deliberately in order to ridicule two things\u2014first, the Medici family itself and, second, the very notion of tyrannical rule embodied in the government of the Prince (hence, the satire has a firm moral purpose\u2014to expose tyranny and promote republican government).&#8221;<br \/>\n<strong>Lecture on Machiavelli&#8217;s The Prince by Ian Johnston, Liberal Studies, Vancouver Island University, February, 2002<\/strong><\/p><\/blockquote>\n<p>Johnston&#8217;s views may depend on the reading of a specific translation, however. I am always hesitant to base any conclusion on a single translation of any work in another language, let alone one of this age. But one cannot help but notice a certain tongue-in-cheek irony in\u00a0<em>The Prince<\/em>.<\/p>\n<p>Viroli, on the other hand, suggests that Machiavelli has to be read in light of the classical rhetorical laws laid out by Cicero and other authors:<\/p>\n<div>\n<blockquote><p>\u201cIt would be mistaken to consider Machiavelli\u2019s examples as particular cases of general laws of\u00a0 human behaviour\u2026 They are ornaments, in the technical sense, rhetorical devices that serve the orator to attain his goal \u2013 that is, to persuade. They pursue the truth.\u201d<br \/>\n<b>Maurizio Viroli, Machiavelli, Oxford University Press, 1998<\/b><\/p><\/blockquote>\n<\/div>\n<p><em>The Prince<\/em>\u00a0as a job application has often been suggested by scholars, but several of Machiavelli&#8217;s critics went even further. They suggested that the book was written to fool the Medici into believing it was valid advice, and by following it, fail. Thus would Machiavelli get his revenge on the Medici.<\/p>\n<blockquote><p>&#8220;(Machiavelli) had the occasion to say, among his friends, that&#8230; if the (Medici) observed his methods (in The Prince), they would see that conspiracies resulted from it, as if he meant to say that his book would get him his revenge.&#8221;<br \/>\n<strong>Riccardo Riccardi, letter c. 1515, from The Prince with related Documents, ed. Connell<\/strong><\/p><\/blockquote>\n<p>Cardinal Reginald Pole, one of Machiavelli&#8217;s earliest critics, had a similar belief in why Machiavelli wrote\u00a0<em>The Prince<\/em>:<\/p>\n<blockquote><p>&#8220;Nevertheless, (Machiavelli) judged, as have all of the other writers who have written concerning how to make a man into a king or a prince, and as experience teaches, that if the prince did put these things into effect, his rule would be brief. This he greatly hoped for, since inwardly he burned with hatred toward that prince for whom he wrote. Nor did he expect from that book anything other than, by writing for the tyrant the things that please a tyrant, to give him, if he could, a ruinous downfall by his own action.&#8221;<br \/>\n<strong>Reginald Pole, Apology to Charles V, 1539,\u00a0from The Prince with related Documents, ed. Connell<\/strong><\/p><\/blockquote>\n<p>Given the animosity towards Machiavelli&#8217;s works by the church, these words have to be taken with a grain of salt. \u00a0Some of his contemporary defenders had a very different view:<\/p>\n<blockquote><p>&#8220;In this (On Principalities) you will find written down, with the greatest transparency and brevity, all of the qualities of principalities, all of the ways to preserve them, all of the harms they suffer, with an exact account of the ancient and modern histories&#8230; so that if you read with that same attention you devote to other things, I am certain that you will draw from it no small utility. Receive it&#8230; and prepare yourself to be its keenest defender against all those who, out of malignity or envy, might wish, according to the practice of these times, \u00a0to bite and to lacerate it.&#8221;<br \/>\n<strong>Biagio Buonaccorsi, letter, c.1516-17,\u00a0from The Prince with related Documents, ed. Connell<\/strong><\/p><\/blockquote>\n<p><em>~~~~~~~~~~~~~~~~~~~~~~~~~~<\/em><br \/>\n<a title=\"A Brief Biography\" href=\"http:\/\/ianchadwick.com\/machiavelli\/addenda\/a-brief-biography-of-machiavelli\/\">Previous Chapter<\/a> &#8211; <a title=\"Machiavelli's Rules\" href=\"http:\/\/ianchadwick.com\/machiavelli\/addenda\/appendix-a-machiavellis-rules\/\">Next Chapter<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Il Principe, or The Prince, is a short book of 26 chapters, and roughly 30,000 words. Most modern editions are fewer than 100 pages, including an introduction and perhaps a glossary. It\u2019s elegantly written, although the author used run-on sentences a lot. Newer editions break up those long pieces into more digestible portions. It was &hellip; <a href=\"https:\/\/ianchadwick.com\/machiavelli\/addenda\/about-the-prince\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;About The Prince&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":175,"menu_order":4,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-18","page","type-page","status-publish","hentry"],"jetpack-related-posts":[{"id":92,"url":"https:\/\/ianchadwick.com\/machiavelli\/addenda\/bibliography-sources\/","url_meta":{"origin":18,"position":0},"title":"Bibliography &#038; Sources","author":"Ian Chadwick","date":"December 22, 2012","format":false,"excerpt":"Unless otherwise noted, all quotations from The Prince used in this book are from the W. K. Marriott translation, available in the public domain. Selections from The Prince are not always used verbatim. Wording and grammar from public domain quotes are often modified for clarity or modernity. In particular I\u2026","rel":"","context":"With 3 comments","block_context":{"text":"With 3 comments","link":"https:\/\/ianchadwick.com\/machiavelli\/addenda\/bibliography-sources\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":13,"url":"https:\/\/ianchadwick.com\/machiavelli\/addenda\/a-brief-biography-of-machiavelli\/","url_meta":{"origin":18,"position":1},"title":"A Brief Biography of Machiavelli","author":"Ian Chadwick","date":"December 22, 2012","format":false,"excerpt":"In order to appreciate Machiavelli, it is necessary to have at least a superficial understanding of his life and environment. Although his ideas are timeless, he was very much a product of his time and place \u2013 the Italian Renaissance. Five hundred years later, his ideas generally hold up well\u2026","rel":"","context":"With 1 comment","block_context":{"text":"With 1 comment","link":"https:\/\/ianchadwick.com\/machiavelli\/addenda\/a-brief-biography-of-machiavelli\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":834,"url":"https:\/\/ianchadwick.com\/machiavelli\/miscellanea\/demonizing-machiavelli\/","url_meta":{"origin":18,"position":2},"title":"Demonizing Machiavelli","author":"Ian Chadwick","date":"January 25, 2013","format":false,"excerpt":"Criticism of Machiavelli by the church started almost as soon as\u00a0The Prince was published. One of the earliest English attacks against Machiavelli came from Cardinal Reginald Pole, who wrote an \u201capology\u201d to Charles V in 1539. He attacks\u00a0The Prince and Machiavelli himself at length, saying the book had been written\u2026","rel":"","context":"With 2 comments","block_context":{"text":"With 2 comments","link":"https:\/\/ianchadwick.com\/machiavelli\/miscellanea\/demonizing-machiavelli\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7,"url":"https:\/\/ianchadwick.com\/machiavelli\/addenda\/introduction\/","url_meta":{"origin":18,"position":3},"title":"Introduction","author":"Ian Chadwick","date":"December 22, 2012","format":false,"excerpt":"Is a sixteenth-century political theorist still relevant to today\u2019s political landscape, especially to modern municipal politics? I believe he is very relevant, although his words need to be recast into modern metaphors and language to appreciate them fully. Yet simply substituting terms like mayor, city manager or CAO, and staff\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":85,"url":"https:\/\/ianchadwick.com\/machiavelli\/addenda\/machiavellian-misquotes\/","url_meta":{"origin":18,"position":4},"title":"Machiavellian Misquotes","author":"Ian Chadwick","date":"December 22, 2012","format":false,"excerpt":"Machiavelli today is commonly known by two things. One is the statement that, \u2018the end justifies the means.\u2019 The other is by the adjective \u2018Machiavellian,\u2019 meaning something evil, underhanded, treacherous, cunning or sneaky in politics. Neither is accurate. Many people recognize that he wrote The Prince (Il Principe), but few\u2026","rel":"","context":"With 2 comments","block_context":{"text":"With 2 comments","link":"https:\/\/ianchadwick.com\/machiavelli\/addenda\/machiavellian-misquotes\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":175,"url":"https:\/\/ianchadwick.com\/machiavelli\/addenda\/","url_meta":{"origin":18,"position":5},"title":"Addenda","author":"Ian Chadwick","date":"December 23, 2012","format":false,"excerpt":"The addenda and appendices: Opening Quotes & Dedication Introduction A Brief Biography of Machiavelli About The Prince Machiavelli's Rules Machiavellian Misquotes Why Machiavelli Matters Today Addendum: The Art of War The Ten Faults Translating Machiavelli Bibliography and Sources The Prince by Chapter: I II III IV V VI VII VIII\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/ianchadwick.com\/machiavelli\/wp-json\/wp\/v2\/pages\/18","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ianchadwick.com\/machiavelli\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ianchadwick.com\/machiavelli\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ianchadwick.com\/machiavelli\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ianchadwick.com\/machiavelli\/wp-json\/wp\/v2\/comments?post=18"}],"version-history":[{"count":19,"href":"https:\/\/ianchadwick.com\/machiavelli\/wp-json\/wp\/v2\/pages\/18\/revisions"}],"predecessor-version":[{"id":659,"href":"https:\/\/ianchadwick.com\/machiavelli\/wp-json\/wp\/v2\/pages\/18\/revisions\/659"}],"up":[{"embeddable":true,"href":"https:\/\/ianchadwick.com\/machiavelli\/wp-json\/wp\/v2\/pages\/175"}],"wp:attachment":[{"href":"https:\/\/ianchadwick.com\/machiavelli\/wp-json\/wp\/v2\/media?parent=18"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}