Lucretius and the Renaissance

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It’s fairly clear, even after reading only a few verses, why Lucretius’s didactic poem, On the Nature of Things – De Rerum Natura –  made such an impact on thought, philosophy, religion and science in the Renaissance. It must have been like a lighthouse in the dark night; a “Eureka” moment for many of the age’s thinkers. For others, especially the church leaders, it must have arrived like a mortar shell among their intellectual certainties and complacencies; shattering walls and window. An act of war that threatened to tear down whole schools of thought and belief. While today his descriptions of atoms, … click below for more ↓

The 2013 Great Gatsby

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Watched the 2013 film of The Great Gatsby last night. The first half was spectacular, grandiose and captivating, if somewhat over the top. Like Busby Berkeley meets The Fifth Element. Extravaganza, spectacle and excess. The film doesn’t feel like it’s set in New York of the Jazz Age. It’s too shiny, too polished, too mechanical, and not gritty enough. That’s actually okay, and had director Baz Luhrmann chosen to make Gatsby into a scifi film set not the roaring twenties, but rather some futuristic world where the fashion craze is for 20s’ costume, it could have worked better. It would … click below for more ↓

Saving Fubsy from Lexicographical Caliginosity

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Cousin Stephen, you will never be a saint. Isle of saints. You were awfully holy, weren’t you? You prayed to the Blessed Virgin that you might not have a red nose. You prayed to the devil in Serpentine avenue that the fubsy widow in front might lift her clothes still more from the wet street. O si, certo! Sell your soul for that, do, dyed rags pinned round a squaw. More tell me, more still!! On the top of the Howth tram alone crying to the rain: Naked women! naked women! What about that, eh? A fubsy window? A short … click below for more ↓

The Wild Women of Wongo

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Who can resist a film with a title like that? Or Zontar, the Thing From Venus? Robot Monster? Voyage to the Prehistoric Planet? The Atomic Brain? Clearly, I can’t. I love this stuff. B-films, especially scifi B-films. But I am a tad disappointed with this Mill Creek package.* I recently received the set of SciFi Classics Collection: 50 Movie Pack, a 12-DVD collection, cover shown on the left. It turned out to be the same set I already had, just with a different cover, and a substitution of four films from the original lineup. Damn, that was $10 wasted. Okay, … click below for more ↓

The Music of the Templars

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For the past 25 years, I have had a mysterious page in Latin, held in a cheap picture frame, and stored in a closet for many years. It’s a two-sided page from a book, printed in black and red letters. I bought it at a used-book store in Toronto back when I lived there and frequented such stores. I rediscovered it last week when cleaning out my workroom to create a ukulele space. The page is roughly 21 x 14 inches (53 x 35 cm) and in very good condition, for its age. It’s also quite beautiful, especially to anyone … click below for more ↓

To err is human. And bureaucratic.

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Errare humanum est, perseverare diabolicum, et tertium non datur. To err is human; to persevere in error is diabolical; there is no third option. Bit of a tough love phrase, that one. Most of us know this as the later paraphrase of Alexander Pope: to err is humane, to forgive divine. Yes, he wrote “humane” because that’s how they wrote “human” in the early 18th century. And he was making a statement about critics, not about religion. But you get the drift.* Pope’s phrase is a staple in politics. To err is human, and governments are composed of people. In … click below for more ↓

Makes you feel happy, like an old time movie

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There’s something touching about a classic film, something magical about a B&W movie, about a film shot between the wars in that period of recovery and optimism; a film that was new when my parents were young, full of life and hope. A movie from the days before CGI, before green screens and 3D. Before slasher films, before graphic sex and graphic violence. It’s a combination of art and innocence, of technology just starting to blossom, of storytelling finding new avenues for expression and sometimes not quite sure about it. Others are bold statements about style and expression; avant-garde art.* There … click below for more ↓

Selling the electric upright bass

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My first experience playing a bass guitar came when I was asked to join a local garage band in the mid-1960s. I was learning rhythm guitar back then, inspired by the Beatles and the wave of British pop bands that flooded the airwaves from around 1962. But they already had two of those. They didn’t have a bass player, though, so I became the bass player. Not a terribly good one, mind you, but it was a fun experience. As soon as I left, a year or two later, I went back to rhythm guitar. But bass stuck with me … click below for more ↓

Coriolanus on Film

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Coriolanus is a tough play, full of politics and angry people and shouting mobs. It has no comic relief, no jesters, no romance and no real heroes. No great soliloquies, unsympathetic characters, uncomfortable double dealing, treachery and plotting. No powerful subplot as a counterpoint. Pride, arrogance, and power dominate. Coriolanus himself is empty, driven, bereft of the great passions that animate Shakespeare’s other main protagonists. Except the passion for revenge, which comes upon him halfway through the play. Before that, he seems an automaton, as fixed in his role as an aristocrat and soldier as Tsar Nicholas was, with little … click below for more ↓

The Fretful Porpentine

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Like quills upon the fretful porpentine. That phrase just makes the modern reader stop and wonder. What, you ask yourself, is a porpentine? And why is it fretful? We never learn, although later interpreters would knowingly tell us a porpentine is a porcupine in today’s argot. Porcupine itself dervices from the Old or Middle French term, “porc espin” or spined pig. Which it isn’t – it’s a rodent. * It’s an old word, encountered earlier as “purpentine” in 1589, but hardly a common word in any spelling after that, at least not in drama.** Shakespeare wrote it as porpentine in 1602. … click below for more ↓

In Appreciation of Vintage Music

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I was listening the other day to a song sung by Cliff Edwards, Cheating on Me, recorded from an old 78 RPM single. Scratchy, warbly, and a bit thin, but it comes across beautifully across the gap of time. When you listen for a while, the scratches just disappear into the background and you hear Ukulele Ike’s lovely voice cut through the noise. I was thinking it was a song I really should learn to play myself. Listen to Edwards’s classic strumming in his version, as well as the key change towards the end: I have it on my MP3, … click below for more ↓

The Circuitous Path from Bulge to Budget

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[youtube=http://www.youtube.com/watch?v=MQO7e_a-gvU] If tinkers may have leave to live, And bear the sow-skin budget, Then my account I well may, give, And in the stocks avouch it. Autolycus in The Winter’s Tale,  Act IV, Sc. III, Shakespeare These lines got me thinking about the town’s finances. Sow-skin budget? What does that mean? And how does that relate to the financial plan for the coming year staff is preparing for council’s review? I did some reading (of course…). In Shakespeare’s time, the online etymological dictionary tells us the word budget meant something quite different:* “leather pouch,” from Middle French bougette, diminutive of Old French … click below for more ↓

1927: Ads, Layout and Typography

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As promised, here are the first 20 scans of the ads from the 1927 North American Almanac I recently mentioned. If there is interest, I’ll do another set later this week. There are probably another 40 or 50 pages of ads in the book. I think these ads give us a wonderful window into the daily, household life of the time, into cultural views and medical thinking. As well, they show the state of advertising, layout and typography. It’s fascinating to look at the mix of typefaces and their placement. Click on the image to load a larger version and … click below for more ↓

1927, a Year to Remember

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1927. It was the year America sent troops to Nicaragua, forcing a US-supervised election. The year Alfred Hitchcock released his first movie. And the year when Fritz Lang released his masterpiece, Metropolis. Buster Keaton released The General that year, although it bombed at the box office. Clara Bow starred in Wings. Sergei Eisenstein released October: Ten Days That Shook the World. Silent films, all, although the Movietone sound system came out that year at Fox Studios, presaging a new world of talkies in another few months when The Jazz Singer, starring Al Jolson, premiered in New York City. That same year, the Academy … click below for more ↓

Swimming with Vivaldi

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Today, for an hour, I swam with Vivaldi. Not the actual composer, of course. He died in 1741 at the age of 63. Would have made a mess of the pool to dig him up and toss him in. The “red priest,” as he was called (for his red hair), probably couldn’t even swim. Not a lot of people back then could. but he could write music, and play the violin beautifully. Almost 300 years later his music is still as powerful and moving as when he was alive.* Rather, as you guessed, I swam with his music, the Four … click below for more ↓

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